패션 컬렉션의 헤어디자인에 표현된 추상 미메시스 연구
A Study on the Aesthetics of Abstraction Mimesis in Hair Design of Fashion Collection
0
조회
0
다운로드
7
인용
0
참고문헌
키워드
초록
Mimetic theories were set to be a kind of art work in the era of Renaissance, and the terminology of mimesis was widely used to replace it with an originality in the 20th century. Mimesis concept was changed to abstract in the modern art and plastic arts. The purpose of this study is to understand the aesthetics of abstraction mimesis expressed in modern hair Design. For this purpose, I investigated the theories of the mimesis, categorized the definition, then applied those categories for modern hair Design. Documentary studies were conducted through aesthetics, beauty and hair books and demonstrative studies were processed by analyzing photos from collection beauty magazines and beauty and fashion site of internet. In the history of aesthetics, the abstraction mimesis could be defined into three categories : simplification of geometric, distortion & deformation, disparate material. In modern hair style, simplification of geometric included a figure of hair style. Distortion & deformation included blow up the huge shape of hair. And also hair style was changed to transposition from disparate materials.
Abstract
Mimetic theories were set to be a kind of art work in the era of Renaissance, and the terminology of mimesis was widely used to replace it with an originality in the 20th century. Mimesis concept was changed to abstract in the modern art and plastic arts. The purpose of this study is to understand the aesthetics of abstraction mimesis expressed in modern hair Design. For this purpose, I investigated the theories of the mimesis, categorized the definition, then applied those categories for modern hair Design. Documentary studies were conducted through aesthetics, beauty and hair books and demonstrative studies were processed by analyzing photos from collection beauty magazines and beauty and fashion site of internet. In the history of aesthetics, the abstraction mimesis could be defined into three categories : simplification of geometric, distortion & deformation, disparate material. In modern hair style, simplification of geometric included a figure of hair style. Distortion & deformation included blow up the huge shape of hair. And also hair style was changed to transposition from disparate materials.
참고문헌 (31)
- 김보라, "T.W., 아도르노의 미메시스 개념을 통한 현대미술 고찰- 이사벨 그로우의 견해를 중심으로-", 한국조형예술학회, 1(1), pp.221~237 (2005)
- 김희숙, "꽃의 이미지를 활용한 패션조형 연구", 석사, pp.2005
- 박하나, "구성주의 조각을 응용한 헤어조형에 관한 연구", 석사, pp.2003
- 박현신, "20세기후기 패션의 신체부재와 탈재현 현상", 박사, pp.2003
- 신혜경, "벤야민 & 아도르노, 대중문화의 기만 혹은 해방", pp.149~ (2009), 김영사
- 양수미, "2000년대 패션에 표현된 미메시스 연구", 복식, 59(10), pp.38~50 (2009), 한국복식학회
- 이익주, "바우하우스의 조형교육 연구", 석사, pp.2002
- 이주영, "루카치의 미술관: 회화에 있어서의 리얼리즘", 문예미학, 4, pp.203~ (1998)
- 이주영, "추상미술과 미메시스", 한국미학예술학연구, 8, pp.101~118 (1998)
- 장재웅, "기하학적 추상미술에 나타나는 선적요소에 대한 연구", 석사, pp.2006
- 정연자, "바디페인팅에 표현된 미적(美的) 미메시스 -루카치의 후기미학을 중심으로-", 한국인체예술학회지, 10(3), pp.181~195 (2009), 한국인체미용예술학회
- 정흥숙, "근대복식문화사", pp.239~ (1989), 교문사
- 진성모, "현대복식에 표현된 변형에 관한 연구", 국민대 논총, 534~ (2003)
- 진중권, "미학오디세이 I", pp.126~ (2009), 휴머니스트
- "컬렉션", ~, 2001~2010 S[DOI]
- Adorno TW, "Ästhetische Theorie", pp.169~ (1970), Suhrkamp
- Adorno TW, "Dialektik der Aufklaerung, Philosophische Fragmente, GS.3" (1984), Suhrkamp
- Bann S, "Abstract art-a language? in Toward a new Art: essays on the background to abstract art 1910-1920", pp.130~133 (1920), The Galley
- Benjamin W, "Ursprung des deutschen Trauerspiels", hrsg.von Rolf tiedemann, 33~ (1978)
- Bru CP, "Esthétique de L’abstraction", pp.300~ (1955), Presses Universitaires de France
- Daval JL, "Histoire de la peinture abstraite", pp.151~ (1988), Hansan
- Durix JP, "Mimesis, Genres and Post-Colonial Discourse: Deconstructing Magic Realism", pp.45~ (1998), Macmillian
- "Fashion News", ~, 2005.6~2010.1
- Gadamer HG, "Hermeneutics, Tradition and Reason" (1987), Standford University Press
- Gadamer HG, "Wahrheit und Methode", Tuebingen, ~ (1960)
- Grow I, "Adorno Is among Us in Nicolaus Schafhausen et al. ed., Adorno", The Possibility Of The Impossible, 2, pp.13~26 (2003)
- Hagberg G, "Aristotles’s Mimesis and Abstract Art", Philosophy, 59, pp.367~ (1984)
- Lukács G, "Die Eigenart des Ästhetischen I", pp.352~353 (1923), Luchterhand
- Thomas H, "A Concise History(1 ed.)", pp.124~ (1998), Laurence King
- Wood G, "Traditional Motifs, Essential Art Deco", pp.21~ (2003), VA&A. Publications