본문 바로가기
KERD
논문KCI 등재

조선시대와 바로크,로코코시대의 남자 Hairdo와 조형미 비교연구

A Comparative Study on the Men’s Hairdo of Joseon Dynasty Era and Baroque and Rococo Period (Men’s Hairdo Styles 17th and 18th Centuries)

0

조회

0

다운로드

2

인용

0

참고문헌

키워드

초록

This study tried to make the opportunity to provide the more subdivided materials of hair style, headpieces and hair accessory by comparing and analyzing male Hairdo with the aesthetic sense. The study results are as follow: First, the results by the type of the eastern and western hairdos have found as follow: The Joseon Dynasty Era is largely divided into pigtail, topknot and disheveled hair. The used type of the headpiece was differently shown according to position and lacquer-ware Gat (Korean lacquer-ware traditional hat made of bamboo and horsehair). Gwanjadeung which plays the big role of the sign of the position was shown in hair accessory. Short hair, medium hair and long hair was shown in the baroque and rococo period as the various lengths of hair appeared. There were hair colors including brown, gray and white. Felt hats, cocked hats, cadogan wig and bagwig was done in the head-piece. There were plume and ribbons in hair accessory. Second, the study result which compared the eastern type of hairdo with the western one of it has found as follow: Hairdos were divided according to the type of the position in the Joseon Dynasty Era. The various lengths of hair and hair colors were shown without reference to the position in the baroque and rococo period. Also the headpiece and hair accessory played the decorative role in the hair style. Third, The result of the aesthetic sense expressed in the eastern and western hairdos has found that the basic one of Hairdos in the Joseon Dynasty Era and the baroque and rococo period commonly involve formality beauty, decoration beauty. Therefore, this study could prepare the opportunity to play the role in present the specific materials about the eastern and western male hairdos and tried to do the one to examine the origin of the aesthetic sense which influenced them.

Abstract

This study tried to make the opportunity to provide the more subdivided materials of hair style, headpieces and hair accessory by comparing and analyzing male Hairdo with the aesthetic sense. The study results are as follow: First, the results by the type of the eastern and western hairdos have found as follow: The Joseon Dynasty Era is largely divided into pigtail, topknot and disheveled hair. The used type of the headpiece was differently shown according to position and lacquer-ware Gat (Korean lacquer-ware traditional hat made of bamboo and horsehair). Gwanjadeung which plays the big role of the sign of the position was shown in hair accessory. Short hair, medium hair and long hair was shown in the baroque and rococo period as the various lengths of hair appeared. There were hair colors including brown, gray and white. Felt hats, cocked hats, cadogan wig and bagwig was done in the head-piece. There were plume and ribbons in hair accessory. Second, the study result which compared the eastern type of hairdo with the western one of it has found as follow: Hairdos were divided according to the type of the position in the Joseon Dynasty Era. The various lengths of hair and hair colors were shown without reference to the position in the baroque and rococo period. Also the headpiece and hair accessory played the decorative role in the hair style. Third, The result of the aesthetic sense expressed in the eastern and western hairdos has found that the basic one of Hairdos in the Joseon Dynasty Era and the baroque and rococo period commonly involve formality beauty, decoration beauty. Therefore, this study could prepare the opportunity to play the role in present the specific materials about the eastern and western male hairdos and tried to do the one to examine the origin of the aesthetic sense which influenced them.

참고문헌 (29)

  1. 강명환, "조선사람들, 혜원의 그림 밖으로 걸어 나오다" (2001), 푸른역사
  2. 고지혜, "17􀅭18세기 동∙서양 헤어도(Hairdo) 조형미 비교연구", 석사, pp.2009
  3. 곽형심, "미용문화사", pp.57~ (2004), 청구문화사
  4. 김현식, "APPRE CIATION OF ART" (1982), 동아
  5. 도주연, "조선복식에 표현된 線의 美", 박사, pp.2001
  6. 마들렌느, "17세기의 미술" (1991), 예경
  7. 미셸 로스캠애빙, "램브란트의 유산", pp.51~ (2006), 청아
  8. 백영자, "한국의 복식", pp.228~233 (1992), 경춘사
  9. 손복심, "우리나라 업스타일의 변천 과정과 재현에 관한 연구", 석사, pp.2007
  10. 안상원, "어떻게 이해할까? 로코코" (2008), 미술문화
  11. 안유리, "18세기 로코코 시대의 Hair Fashin의 경향", 석사, pp.2004
  12. 안종숙, "조선후기 풍속화에 나타난 미용문화의 특성", 박사, pp.2006
  13. 이유나, "18세기 로코코 시대의 미용문화에 관한 연구", 석사, pp.2008
  14. 이정옥, "西洋服食史", pp.267~ (1987), 형설
  15. 이현경, "미의역사(STORA DELLA BELLEZZA)" (2005), 열린책들
  16. 장숙환, "전통남자 장신구", pp.58~111 (2003), 대원사
  17. 전선정, "미용미학과 미용문화사", pp.98~116 (2001), 청구문화사
  18. 정매자, "우리나라 옛여인의 머리치장", pp.77~ (2008), 청구문화사
  19. 정병모, "한국의 풍속화" (2000), 한길아트
  20. 정연식, "일상으로 본 조선시대 이야기 I, II" (2001), 청연사
  21. 정정화, "조선시대 헤어스타일에 관한 연구", 석사, pp.2007
  22. 정흥숙, "西洋服食文化史", pp.198~226 (1981), 대원사
  23. 제르맹 바쟁, "바로크와 로코코" (2000), 시공사
  24. 진중권, "서양미술사I" (2008), 휴머니스트
  25. 최석조, "단원의 그림책" (2008), 아트북스
  26. 최승규, "서양미술사 100장면" (1996), 한명출판
  27. 팀말로, "Great Artists" (2003), 예담
  28. 피에르 카반느, "고전주의와 바로크", pp.19~ (2004), 생각하는 나무
  29. Rowland-Warne L, "COSTUMS" (1983), Alfred A. knopf

관련 논문AI추천

이 간행물의 다른 논문 (14건)