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기억극/유방극(Memory/Mammary Play): 폴라 보글의 『운전 배우기』

Memory/Mammary Play: Paula Vogel's How I Learned To Drive

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초록

The play is defined as a memory as it looks back at the painful experience of a young girl named Li'l Bit. The play is also contained in the drama book entitled The Mammary Plays as the girl's breasts are exceptionally big. Because of her big breasts, she looks more mature and attracts the attention of her aunt's husband but she is teased by her family as well as her classmates. When she is 11, her uncle Peck suggests to teach her how to drive and while he gives her driving lessons, he sexually abuses her. However, her family turn a blind eye to his paedophilia. She cannot stand his molestation, but she starts to manipulates him as he clings to her. However, Peck inspires her to go to college and see the world, so she leaves home for college. Having gained an upper hand, she rejects his proposal to marry him when he comes to see her on her eighteenth birthday. Since then she never goes home to visit her family. Disappointed, Uncle Peck drank too much and dies by falling off the stairs. Li'l Bit recollects about Peck's abuse and it is through the memory that she is reconciled with her painful past.

Abstract

The play is defined as a memory as it looks back at the painful experience of a young girl named Li'l Bit. The play is also contained in the drama book entitled The Mammary Plays as the girl's breasts are exceptionally big. Because of her big breasts, she looks more mature and attracts the attention of her aunt's husband but she is teased by her family as well as her classmates. When she is 11, her uncle Peck suggests to teach her how to drive and while he gives her driving lessons, he sexually abuses her. However, her family turn a blind eye to his paedophilia. She cannot stand his molestation, but she starts to manipulates him as he clings to her. However, Peck inspires her to go to college and see the world, so she leaves home for college. Having gained an upper hand, she rejects his proposal to marry him when he comes to see her on her eighteenth birthday. Since then she never goes home to visit her family. Disappointed, Uncle Peck drank too much and dies by falling off the stairs. Li'l Bit recollects about Peck's abuse and it is through the memory that she is reconciled with her painful past.

참고문헌 (33)

  1. "소아성애인가, 진정한 사랑인가? <공연 리뷰> 연극 ‘운전 배우기" (2012), 강일중[URL]
  2. 최영, "아일랜드, 아일랜드", pp.406~429 (2008), 이화여자대학교출판부
  3. 박경란, "성폭력의 재현: 폴라 보겔의 Hot ’N’ Throbbing", 현대영미드라마, 24(2), pp.27~55 (2011), 한국현대영미드라마학회
  4. 박경란, "퓰리처상을 통해본 현대 미국연극", pp.144~163 (2014), 건국대학교 출판부
  5. "극단 TNT 레퍼토리 30주년 기념공연 Paula Vogel 작 이지훈 역/연출의 <운전 배우기(How I Learned To Drive)>를 보고" (2012), 박정기[URL]
  6. "롤리타"[URL]
  7. 이지훈, "운전 배우기" (2012), 지식을만드는지식
  8. Berger, John, "Ways of Seeing" (1972), The British Broadcasting Corporation
  9. "Pinter: Passion, Poetry & Prose" (2008)[URL]
  10. "'How I Learned to Drive’by Paula Vogel: What Is the Play About?" (2013)[URL]
  11. "Drive, she said: Paula Vogel steers her Pulitzer winner to Providence" (1998)[URL]
  12. Body, "Gender", pp.Rutgers University Press, Knowledge: Feminist Reconstruction of Being and Knowing
  13. Favorini, Attilio, "Some Memory Plays Before the 'Memory Play'", Journal of Dramatic Theory and Criticism, 22(1), pp.29~52 (2007)
  14. Greene, Alexis, "Women Who Write Plays: Interviews with American Dramatists", pp.425~448 (2001), Smith and Kraus
  15. "Paula Vogel Gives Some Valuable Driving Lessons" (1997)[URL]
  16. Holmberg, Arthur, "Stages of Contemporary Drama: Classical to Contemporary Theater", pp.2003, Bedford
  17. Jones, Ann Rosalind, "The Feminist Criticism: Essays on Women, Literature and Theory", pp.361~377 (1985), Pantheon Books
  18. "Mockingbird Theatre - How I Learned To Drive: Chat with Andrea McCannon" (2013)[URL]
  19. "How I Learned to Drive" (2012)[URL]
  20. ""Southern Girls”Raises Issues of Race, Prejudice" (2014)[URL]
  21. "“Paula Vogel: The Signature Season." A talk with the playwright whose work is being celebrated by the Signature Theatre Company, Theater News" (2004)[URL]
  22. Savaran, David, "The Baltimore Waltz and Other Plays", pp.9~15 (2005), Theatre Communications Group
  23. Spry, Tami, "Gender In the Absence of Word and Body: Hegemonic Implications of "Victim" and "Survivor" in Women's Narrative of Sexual Violence", Women's Language, 18(2), pp.27~32 (1996)
  24. Taylor, Paul, "Independent(6 April, 1990)", London Theatre Record, 10(8), pp.469~470 (1990)
  25. ""How I Learned To Drive": By Paula Vogel; Directed by Jake Lipman, Produced by Tongue in Cheek, Theater Off-Off Broadway, Play Revival" (2013)[URL]
  26. Vogel, Paula, "How I Learned To Drive. The Mammary Plays", pp.1~92 (1998), Theatre Communications Group
  27. "Brian Friel: Father of the Modern Memory Play" (2013)[URL]
  28. "Mockingbird Theatre—How I Learned to Drive Chat with Andrea MaCannon" (2013)[URL]
  29. "Family Affair: ‘How I Learned to Drive,’ at the QC Theatre Workshop through September 21" (2013)[URL]
  30. "How I Learned to Drive"[URL]
  31. "TNT"[URL]
  32. Williams, Tennessee, "The Glass Menagerie" (1945), Penguin

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