A Research on the Neglected Poet, James A. Emanuel (1921-2013)
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James A. Emanuel (1921-2013) was a prolific poet in the postmodern and postcolonial periods of American poetry and he published more than 300 poems, 13 books, and other publications. However, there are only few research on Emanuel compared to what he had accomplished during his life time. Among the genres, it is remarkable that Emanuel composed haiku as well as jazz haiku. What Emanuel tried to deliver through his haiku is that he aimed at resisting against the racial injustice. However, the American academia neglected Emanuel although his writings dealt with important issue in America. Emanuel is evaluated not just as a poet but a person who did more than that. Therefore, this paper will examine Emanuel’s JAZZ from the Haiku King in terms of Emanuel’s unique style of haiku as well as jazz haiku why Emanuel created haiku, what does jazz haiku implies to the African American as well as the others.
Abstract
James A. Emanuel (1921-2013) was a prolific poet in the postmodern and postcolonial periods of American poetry and he published more than 300 poems, 13 books, and other publications. However, there are only few research on Emanuel compared to what he had accomplished during his life time. Among the genres, it is remarkable that Emanuel composed haiku as well as jazz haiku. What Emanuel tried to deliver through his haiku is that he aimed at resisting against the racial injustice. However, the American academia neglected Emanuel although his writings dealt with important issue in America. Emanuel is evaluated not just as a poet but a person who did more than that. Therefore, this paper will examine Emanuel’s JAZZ from the Haiku King in terms of Emanuel’s unique style of haiku as well as jazz haiku why Emanuel created haiku, what does jazz haiku implies to the African American as well as the others.
참고문헌 (12)
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- Emanuel, James A, "JAZZ from the Haiku King" (1999), Broadside Press
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- Hakutani, Yoshinobu, "African American Haiku: Cultural Visions", pp.35~58 (2016), University Press of Mississippi
- Holdt, Marvin, "James A. Emanuel: Black Man Abroad", Black American Literature Forum, 13(3), pp.79~85 (1979)
- Holdt, Marvin, "James A. Emanuel: The Perilous Stairs", Caliban, 13, pp.141~148 (1976)
- Lambert, Raphaël, "The Slave Trade as Memory and History: James A. Emanuel’s ‘The Middle Passage Blues’ and Robert Hayden’s ‘Middle Passage", African American Review, 47(2-3), pp.327~338 (2014)
- Smith, Virginia Whatley, "Cross-Cultural Visions in African American Modernism: West Meets East" (2011), Palgrave Macmillan
- Smith, Virginia Whatley, "American Haiku : New Readings" (2018), Lexington Books
- Wallenstein, Barry, "Poetry and Jazz: A Twentieth-Century Wedding", Black American Literature Forum, 25(3), pp.595~620 (1991)
- Werner, Craig Hansen, "A Change Is Gonna Come: Music, Race & The Soul of America" (2006), University of Michigan Press