디아스포라 문학의 경계 넘기: 이민진의 『파친코』에 나타난 경계인의 실존양상
Crossing the Boundary in Diaspora Literature: The Existence of Marginal Man in Min Jin Lee’s Pachinko
1
조회
0
다운로드
29
인용
0
참고문헌
키워드
초록
Min Jin Lee’s Pachinko has been very famous for a catchphrase: History has failed us, but no matter. Pachinko is an epic about the diaspora of Korean-Japanese people called Zainichi which means a foreign citizen ‘staying in Japan.’ The Diaspora story of Korean-Japaneses, written in English by a Korean-American writer, is a rare work that refuses to belong to any category such as Korean literature, Korean-Japanese literature and Korean-American literature, and crosses the boundary. First, this study aims to analyze the alienation and identity issues of Zainichi who lives as a marginal man and eternal stranger without belonging to either Japan, South Korea, or North Korea. Through this analysis process, I would like to affirm Zainichi's borderline identity and explore new possibilities for living a self-creative life, not an identity cast by racism. Second, by expanding the scope of exploration, I will look into the meaning of crossing the boundaries implied by Pachinko itself and examine the role of diaspora literature in the transnational era that transcends national, ethnic, and cultural boundaries. This paper aims to ethical coexistence of reflecting on discrimination and exclusion in a multicultural society and empathizing with minorities and minority cultures.
Abstract
Min Jin Lee’s Pachinko has been very famous for a catchphrase: History has failed us, but no matter. Pachinko is an epic about the diaspora of Korean-Japanese people called Zainichi which means a foreign citizen ‘staying in Japan.’ The Diaspora story of Korean-Japaneses, written in English by a Korean-American writer, is a rare work that refuses to belong to any category such as Korean literature, Korean-Japanese literature and Korean-American literature, and crosses the boundary. First, this study aims to analyze the alienation and identity issues of Zainichi who lives as a marginal man and eternal stranger without belonging to either Japan, South Korea, or North Korea. Through this analysis process, I would like to affirm Zainichi's borderline identity and explore new possibilities for living a self-creative life, not an identity cast by racism. Second, by expanding the scope of exploration, I will look into the meaning of crossing the boundaries implied by Pachinko itself and examine the role of diaspora literature in the transnational era that transcends national, ethnic, and cultural boundaries. This paper aims to ethical coexistence of reflecting on discrimination and exclusion in a multicultural society and empathizing with minorities and minority cultures.
참고문헌 (22)
- 강유진, "역사가 우리를 망쳐놨지만, 그래도 상관없다", 교양학 연구, (9), pp.253~261 (2019), 다빈치미래교양연구소[DOI]
- 김석희, "자이니치 문학, 헤테로토피아를 살다", 작가들, 63, pp.164~173 (2017)
- 김성곤, "경계해체시대의 인문학" (2017), 세창출판사
- 김종회, "미주 한인 디아스포라 문학에 나타난 민족정체성 고찰 ―이창래, 수잔 최, 이민진의 작품을 중심으로", 현대문학이론연구, (44), pp.201~221 (2011), 현대문학이론학회
- 김지윤, "『어글리즈』와 『헝거게임』 시리즈에 나타난 신체정치와 공간성", 현대영미소설, 26(2), pp.31~63 (2019), 한국현대영미소설학회[DOI]
- 리, 존, "자이니치 – 디아스포라민족주의와 탈식민 정체성" (2019), 소명출판
- 사이드, 에드워드, "평행과 역설" (2003), 생각의 나무
- 이민진, "파친코" (2018), 문학사상
- 이승연, "생존을 위한 도박: 『파친코』를 통해 보는 자이니치의 삶 『파친코』", 아시아여성연구, 58(3), pp.209~216 (2019), 아시아여성연구원[DOI]
- 임진희, "민진 리의 『파친코』에 나타난 재일한인의 장소담론", 예술인문사회 융합 멀티미디어 논문지, 9(8), pp.271~280 (2019), 사단법인 인문사회과학기술융합학회[DOI]
- 정은귀, "플랫폼 12-15" (2009)
- Agamben, Giorgio, "Homo Sacer: Sovereign Power and Bare Life" (1998), Stanford University Press
- Dilworth, Dianna, "Rewriting History: Cristina Garcia and Min Jin Lee", Publishers Weekly, 264(42), pp.22~23 (2017)
- Fanon, Frantz, "Black Skin, White Masks" (2008), Pluto P
- Gilmour, Stuart, "Suicide Mortality in Foreign Residents of Japan", International Journal of Environmental Research and Public Health, 16(17), pp.1~9 (2019)
- Kristeve, Julia, "Powers of Horror: An Essay on Abjection" (1982), Columbia UP
- Lee, Min Jin, "Pachinko", pp.491~502 (2017), Grand Central
- Lee, Min Jin, "Pachinko" (2017), Grand Central
- Said, Edward W, "Culture and Imperialism" (1994), Vintage
- Sartre, Jean-Paul, "Being and Nothingness" (1992), Washington Square P