케빈 벤후저(Kevin Vanhoozer)의 포스트보수주의 교회론에 관한 연구
A Study on Kevin Vanhoozer’s Postconservative Theological Ecclesiology
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본 연구는 포스트모던 정통주의 교회론을 탐구하는 맥락에서 포스트보수주의 신학적 교회론을 연구하였다. 포스트보수주의(post-conservative) 신학은 케빈 벤후저(Kevin Vanhoozer)가 자신의 신학적 입장을 표현한 것으로서 조지린드백(George Lindbeck)의 교리의 본질을 재해석하면서 포스트자유주의(Post-liberal) 신학의 대안으로 제시된 것이다. 연구주제는 벤후저가 언급하고있는 포스트보수주의 정경-언어적 신학에 입각한 교회론에 대해서 탐구하였다. 교회에 대한 해석을 전통적인 신학적 개념으로 해석하는 것이 아니라, 드라마 유비(analogia dramatis)를 통해서 혁신적인 해석을 하고 있다. 포스트보수주의 정경-언어 신학의 교회론에 대해서 정리하고 분석하고 해석하면서 시대적으로 타당성을 가질 수 있는지 비평적 접근을 하였다. 먼저 정경- 언어 신학적 교회론의 배경이 되는 정경-언어 신학 혹은 포스트보수주의 신학적 방법론과 특성을 간략히 검토하고, 벤후저의 독특한 드라마 유비적 교회론을 정리하고 분석하고 해석하였다. 그리고 포스트보수주의 신학적 교회론에 대한 가능성과 제한성을 비평적으로 검토를 하였다. 최근에 나타나고 있는 이머징 교회(emerging church)나 유기체 교회(organic church)와 같은 유형의 교회들이 나타나고 있으며, 서구에서는 포스트모던 교회로서 새로운 바람을 일으키고 있다. 기존의 교회론 이미지를 깨고 혁신적인 교회론의 생성현상이다. 이머징 교회는급진적 정통주의(radical orthodoxy)신학에서 신학적 기반이론을 제공하고 있다. 포스트보수주의 신학도 이머징 교회와 유기체 교회를 지지할 수 있는 신학적 이론을 담고 있다. 하지만 포스트보수주의 교회론은 급진적 정통주의 신학의 사회론과 다르게 정경-언어 신학적 차원에서 접근하고 있다. 교회는 신-드라마(theo-drama)의 극장으로 해석되면서, 교회는 텍스트의 몸, 십자가 회사,복음의 극장, 등 혁신적인 개념들을 사용해서 교회를 새로운 모습으로 나타났다. 드라마 유비적 교회론은 정경-언어 신학적 기반을 가지면서, 포스트모던사회에서 수용적 이해를 가져올 수 있는 개념들로 재해석을 시도하고 있다. 포스트보수주의 정경-언어 신학적 교회론이 미래교회의 긍정적 활용의 가능성이 있는지 검토하였다.
Abstract
This study investigates and examines the ecclesiology of postconservative theology postulated by Kevin Vanhoozer as one of the new understandings of the church at the dawn of the 21st century. As the postmodern trend expands its influence wider and deeper on the world, the feature of the church is sharply changing her external shape and cultural cloth in diverse ways. There could be several reasons for these changes, but one of the most effective cause for the change is a postmodern cultural shift. Kevin Vanhoozer digested well those postmodern cultural shift and deconstructive hermeneutics, and he reconstructed conservative theology and submitted a canonicallinguistic theology which is identical with post-conservative theology. Based on the post-conservative theology, Vanhoozer elucidated and submitted a revolutionary ecclesiology by using a method of analogia dramatis. The church is the theater of theo-drama, which contains drama of doctrine, script of the Bible, dramaturgy of theology,and performance of Christian practice. The drama of doctrine directs the theater and company of the Gospel to perform the functions of the orthodoxy church. The analogia dramatis ecclesiology provided alternative potentiality for dynamic and vital interpretation of the scripture by going beyond those propositional and foundational limitations in the traditional conservative theology. The analogia dramatis ecclesiology has other innovative features such as theater of reconciliation, company of the cross, theater of martyrdom, celebratory theater of word and sacrament. The post-c o n s e r v a t i v e ecclesiology performs innovative engagement in breaking the walls of segregation among racial and ethnic differences. However the p o s t-conservative ecclesiology exposes limitation of logical inconsistency and linguistic mismatch between canonical-linguistic and analogia dramatis ecclesiology. Otherwise, this essay made rubric on the post-conservative ecclesiology to have a positive potentiality for development of postmodern church.
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