유고슬라비아 근·현대문학과 구비문학의 교섭양상

Abstract

There was a domain in which the vernacular was widely used in medieval literacy in the Serbian lands. And in the final decades of the 18th century and early decades of the 19th century, the foundation for a new Serbian culture and literature was being laid - compendiums of the basic scientific disciplines were written, and new literary genres were introduced (novels, drama, essays, various poetic forms). Of all of them, the novel was to have the greatest influence. The preconditions of Serbian romanticism were Vuk Karadžić's language reform, folk poetry, and the European influence. While prose was inclined toward pathos and lyrical sensitivity, the ideals of the highest erudition, whose models were found in classical literature, prevailed in poetry. In the first half of the 19th century, the domain of cultural activity began to spread. After two liberation uprisings literature began to develop in Serbia, and later in Montenegro, which had been partially liberated by the end of the 17th century. Certain entirely new phenomena found expression in these regions - a folk, patriarchal culture, collective creative work, and oral poetry. The purpose of this paper is to inquire into the important factor of the Serbian oral literature and to study various influences and meanings which are contributed to modern and contemporary literatures by the oral literature. With the source of influences to the Serbian modern and contemporary literature from genres, concrete contents, formulae for expressions and rules of versifications, I've considered in-depth various sides of that.