채만식 소설의 허무주의 연구 －『냉동어』를 중심으로－

Abstract

In 『Frozen Fish』 of Chae Man-sik’s novel is The custodial experience became the basis In 1939 in Gaeseong. He fell into nihilism by being tired of fatigue. I think his anxiety is in this work. ‘Daeyoung’ wants to return home through an affair. And this helps ‘Sumiko’ in sacrificing herself. The struggle of ‘Daeyoung’ continues to the artist. Chae Man-sik was worried by external pressure and censorship. Therefore, the power of Frozen word, which is at the pinnacle of nihilism, allows us to take into account the values of Chae Man-sik’s literature. It is the aim of this study to read the 『Frozen Fish』 from this perspective and to confirm the texture of Chae Man-sik’s literature obscured by ‘nihilism’ and ‘pro-Japanese literature’. ‘Daeyoung’, On the contrary, he took full control of his situation through the Japanese woman “Sumiko”. And he named the daughter. Naming means you made a family. This paper thinks that the process of the artist’s obsession with nihilism and pushes nihilism with an active attitude is completely melted in the form of anxiety in Frozen Fish. Therefore, the work was analyzed on the premise that the inside of the main character ‘Dae-young’ is in line with the inside of the artist Chae Man-sik. In some ways, Chae Man-sik encounters anguish to write a work even under the pressure of Japanese colonial rule and increasingly censorship. Chae Man-sik pushed his worries to the end in the face of excessive censorship and physical cooperation. Since then, the world he has encountered has been the world of history. So far, we have examined the location and the magnetic field of Frozen Fish in Chae Man Sik’s chapter. It is important to note that this method of research may have identified some of the independent attitudes of Chae Man-sik literature before liberation in Korean literature.