‘일본군 위안부’와 ‘팡팡’: 전전과 전후의 위안부들－GHQ의 검열과 대중적 욕망에 주목하여－

Abstract

The focus in this paper is a novel dealing with ‘Japanese military comfort women’ and ‘panpan’, is the “body of the gate” and “Spring women Den”. Here censorship of GHQ over both novels, and I will focus on the desire of the masses. To the post-war ‘PanPan’ and the pre-war ‘comfort women’ have a deep relationship, pre-war and post-war continuity of Japan appears here.　However, to try to avoid an associative action with the “Spring women Den” is the projection of the male/colonialist desire of wartime generation of male writers in the structure of the story that the comfort women and a soldier of love “PanPan” to GHQ since it becomes a comfort woman=prostitute through the censorship of, and has been representation in the same way. In contrast, the novel “body of the gate” is consistent censorship direction of desire and the US military side of the wartime generation of writers from each other, since the presence of US forces is non-visualization, through a number of times of remake, attempt of reconstruction have been made to the representation system and its story. The fate of such women representation belonging to basically homogeneous section called “PanPan” with the “comfort women” after the war before the war, in the field of postwar Japanese popular culture, would be to walk a different road. Distortion that over the “comfort women” leading to today from the comfort women is aspect of the masses specific desire to be projected onto the “PanPan” is a symbolic body that affected that are hidden / distortion as a storage configuration over the war historical / ideological background of would become apparent.