남성 신무용의 서막을 연 〈가사호접〉의 근대적 가치

Abstract

Jo Taek-won’s work, “Gasahojeop,” is recognized as a significant modern dance heritage in Korea. There is a need to concretize the modern value of the work by interpreting it within contemporary trends and re-establishing its artistic and academic status as Korean new dance. Therefore, the purpose of this study is to reinterpret the meaning of “Gasahojeop” as a novel male dance and reposition its value in the art history of contemporary dance. Firstly, “Gasahojeop” constructs a compelling narrative through the injection of personal interpretation, embodying modernity in both movement and stage utilization. The portrayal of masculine strength is evident through the elimination of drumming and the incorporation of techniques that involve extending the body limbs and executing quick turns. Secondly, “Gasahojeop” transforms the previously perceived comical Seungmu(monk dance), once seen as mere entertainment, into a serious art form imbued with a contemporary sensibility and a sense of mission. This transformation aligns with the characteristics of early expressionist modern dance. The Buddhist meaning inherent in Seungmu is reinstated, becoming a central element in the performance. Thirdly, through the creation of original musical compositions, Jo Taek-won establishes a symbiotic relationship between music and dance, achieving autonomy and independence in dance while contributing to the modernization of tradition in dance music. This underscores Jo Taek-won’s struggle to harmonize Eastern and Western influences, reflecting a national struggle. In summary, Jo Taek-won’s “Gasahojeop” emerges as a crucial piece in the history of Korean new dance, blending personal interpretation, cultural depth, and a harmonious fusion of traditional and contemporary elements.