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루이 쿠프랭(Louis Couperin)의 클라브생 음악을 통한 17세기 조성에 관한 연구

La tonalit? dans la musique pour clavecin du XVII?me si?cle :Œuvres Copml?tes de Louis Couperin

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참고문헌 (37)

  1. "Harmony and Voice Leading" (1989), Harcourt Brace Jovanovich publisher
  2. "Key and Mode in Seventeenth-Century Music Theory Books", 17, pp.204~232 (1973)
  3. ".Les gammes musicales:Essai historique sur les modes et les tons de la musique depuis l'antiquité jusqu'à l'époque moderne" (1947), Walauré Saint-Pierre
  4. "Versuch über die wahre Art des Clavier zu spielen"
  5. "Tonal organization in seventeenth-century music theory" (2002), Cambridge University Press
  6. "Music in the seventeenth century" (1987), Cambridge University Press
  7. ".Wordless Rhetoric:Musical Form & The metaphor of The Oration" (1991), Harvard University press
  8. "Analysis of Tonal Music: A Schenkerian Approach" (1998), Oxford University press
  9. "Rameau and Musical Thought in the Enlightenment" (1993), Cambridge University Press
  10. "La supposition and the changing concept of dissonance in baroque theory", 24, pp.80~96 (1971)
  11. "René Ouvrard and the beginnning of french baroque theory Report of the 11th Congress Copenhagen", pp.336~342 (1972)
  12. "Les avatars de la modalité: la transition du modal au tonal à 1ère baroque française", pp.81~99 (1996)
  13. ".Music Theory from Zarlino to Schenker:A Bibliography and Guide" (1990), Pendragon Press
  14. "Le Langage musical baroque: Elements et Structure" (2000), Zurfluch
  15. "Tonal Harmony in Concept & Practice" (1978)
  16. ""Harmony" Music Theory in Seventeenth Century England" (2000), Oxford University Press
  17. ""Tonality"" (2002), Cambridge University Press
  18. "Jean-Philippe Rameau: Nouveau Système de musique théorique." (1996), Zurifluh
  19. "A Generative Theory of Tonal Music" (1996), The MIT press
  20. ""Rameau and eighteenth-century harmonic theory"" (2002), New York Cambridge University Press
  21. "Compositional theory in the eighteenth century" (1992), Harvard University press
  22. "Tonality and Atonality in Sixteenth - Century Music University of Berkeley" (1961)
  23. "Genèse de la tonalité musicale classique" (1955), Richard Masse
  24. "La gamme double française et la méthode du si", pp.29~44 (1999)
  25. "Toward a post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progression" (2001)
  26. "Baroque Music" (1981), Prentice-Hall
  27. "Tonlaité et modalité dans les pièces de clavecin de d'Anglebert: élélment pour une anlalyse harmonique", pp.61~87 (2000)
  28. "From Psalmody to Tonality Tonal Structures in Early Music", Garland Publishing
  29. "A propos de la pensée théorique en France entre Mersenne et Rameau." (1998), Centre de Musique Baroque de Versailles
  30. "Louis Couperin", pp.458~461 (1902)
  31. "Traité de l’harmonie" (1992), Klinchsieck
  32. "The Seventeenth-Century Theory of Triadic Generation and Invertibility and its Application in Contemporaneous Rules of Composition", 6, pp.63~78 (1984)
  33. "Dictionnaire de musique", Duchesne
  34. "L'application du modèle syntagmatique-paradigmatique à l'analyse des fonctions harmoniques", 2, pp.35~39 (1986)
  35. "Counterpoint in composition" (1989), Columbia University press
  36. "The Theory and Nature of Harmony" (1970), Birchrad Coar Publisher
  37. "Translated by New Haeven", zarli (1983), Yale University Press

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