논문KCI 등재
루이 쿠프랭(Louis Couperin)의 클라브생 음악을 통한 17세기 조성에 관한 연구
La tonalit? dans la musique pour clavecin du XVII?me si?cle :Œuvres Copml?tes de Louis Couperin
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참고문헌 (37)
- "Harmony and Voice Leading" (1989), Harcourt Brace Jovanovich publisher
- "Key and Mode in Seventeenth-Century Music Theory Books", 17, pp.204~232 (1973)
- ".Les gammes musicales:Essai historique sur les modes et les tons de la musique depuis l'antiquité jusqu'à l'époque moderne" (1947), Walauré Saint-Pierre
- "Versuch über die wahre Art des Clavier zu spielen"
- "Tonal organization in seventeenth-century music theory" (2002), Cambridge University Press
- "Music in the seventeenth century" (1987), Cambridge University Press
- ".Wordless Rhetoric:Musical Form & The metaphor of The Oration" (1991), Harvard University press
- "Analysis of Tonal Music: A Schenkerian Approach" (1998), Oxford University press
- "Rameau and Musical Thought in the Enlightenment" (1993), Cambridge University Press
- "La supposition and the changing concept of dissonance in baroque theory", 24, pp.80~96 (1971)
- "René Ouvrard and the beginnning of french baroque theory Report of the 11th Congress Copenhagen", pp.336~342 (1972)
- "Les avatars de la modalité: la transition du modal au tonal à 1ère baroque française", pp.81~99 (1996)
- ".Music Theory from Zarlino to Schenker:A Bibliography and Guide" (1990), Pendragon Press
- "Le Langage musical baroque: Elements et Structure" (2000), Zurfluch
- "Tonal Harmony in Concept & Practice" (1978)
- ""Harmony" Music Theory in Seventeenth Century England" (2000), Oxford University Press
- ""Tonality"" (2002), Cambridge University Press
- "Jean-Philippe Rameau: Nouveau Système de musique théorique." (1996), Zurifluh
- "A Generative Theory of Tonal Music" (1996), The MIT press
- ""Rameau and eighteenth-century harmonic theory"" (2002), New York Cambridge University Press
- "Compositional theory in the eighteenth century" (1992), Harvard University press
- "Tonality and Atonality in Sixteenth - Century Music University of Berkeley" (1961)
- "Genèse de la tonalité musicale classique" (1955), Richard Masse
- "La gamme double française et la méthode du si", pp.29~44 (1999)
- "Toward a post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progression" (2001)
- "Baroque Music" (1981), Prentice-Hall
- "Tonlaité et modalité dans les pièces de clavecin de d'Anglebert: élélment pour une anlalyse harmonique", pp.61~87 (2000)
- "From Psalmody to Tonality Tonal Structures in Early Music", Garland Publishing
- "A propos de la pensée théorique en France entre Mersenne et Rameau." (1998), Centre de Musique Baroque de Versailles
- "Louis Couperin", pp.458~461 (1902)
- "Traité de l’harmonie" (1992), Klinchsieck
- "The Seventeenth-Century Theory of Triadic Generation and Invertibility and its Application in Contemporaneous Rules of Composition", 6, pp.63~78 (1984)
- "Dictionnaire de musique", Duchesne
- "L'application du modèle syntagmatique-paradigmatique à l'analyse des fonctions harmoniques", 2, pp.35~39 (1986)
- "Counterpoint in composition" (1989), Columbia University press
- "The Theory and Nature of Harmony" (1970), Birchrad Coar Publisher
- "Translated by New Haeven", zarli (1983), Yale University Press
