19세기 음향학과 음악의 교감
The Sympathy Between Acoustics and Music in the Nineteenth Century
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초록
19세기를 거치면서 음향학은 실험과 수학을 바탕으로 물리학의 한 분야로 정립되고 있었다. 이러한 과정에서 음악과 음향학은 긴밀한 교감을 갖고 발전했다. 다양한 악기가 음향학에서 우선적으로 사용하는 실험용 음원이 되었고 악기 제작자들도 악기의 개량과 개발을 101 위해 악음에 대한 과학적 탐구 활동을 전개하였다. 정률과 절대 음높이에 대한 음악계의 요구가 컸던 시기에 음향학자들은 이것들을 위한 이론적 및 정량적 기초를 제공하는 중요한 역할을 담당했다. 두 분야의 긴밀한 교감 속에서 ‘음악 과학’은 음악도들에게 필수적인 과목으로 간주되었던 것이다.
Abstract
During the nineteenth century, acoustics was established as a subfield of physics on the basis of experiment and mathematics. In this course, music and acoustics developed in close interaction between each other. Various musical instruments became primary sound sources in acoustical experiments and musical-instrument makers undertook scientific investigations for improving and creating instruments. Responding to the needs of the music world for reasonable temperaments and absolute pitches, acousticians played an important role of providing them with the theoretical and quantitative foundations. It was through sympathy between the102 two fields that 'musical science' was regarded as an imperative subject for musical students.
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