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硯台所蘊涵的文學價値與儒生情操

A Study on the Literary Value and the Confucian Spirit of the Inkstone

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초록

硯台不只是一般的民俗品或工藝美術品,更不是古代人使用的書寫用具而已。它是過去文人借以創造精神文化的寶貴文物,因此,我們從中可以找出過去文人藝術家以及仁人志士的文學、哲學以及人生態度等精神面貌。古人所留歌詠頌讚硯台的文章,也充滿着難能可貴的人文精神。最近我們特別强調儒敎文化的現代反思與儒生情操,那麽,以硯台爲首的文房用具的價値和意義是不可忽視的。本文基於這種觀點,探討硯台的價値中最重要的文化價値,逐步論述硯台的文學價値與儒生情操。至於文學價値,從硯銘到硯詩,有關硯台詩文的特點,都爲讚美硯台的德操。至於儒生情操,最重要的是,文人儒士不但讚美、推崇硯台之德,他們還身體力行地效法硯台所具有的美德,以此陶冶性情、涵養儒生情操。

Abstract

As one of the most important of the four treasures of the study (wenfang sibao 文房四寶), the inkstone is not just a writing instrument or a folkcraft article. It is a rich repository of moral culture which has the spirit of ancient scholars and literary men. The importance of the inkstone is arguably even greater in our current moment, as many people have recently cried out for the revival of Confucian ideas and traditional culture. This paper tries to discuss the cultural value of the inkstone, which retains both literary value and the spirit of literati-scholars. So this paper researches Chinese and Korean ancient literature concerning the inkstone and the relationships between the inkstone and ancient literary figures. The first section of this essay discusses some famous ancient works of Chinese and Korean literature concerning the inkstone, such as yanming 硯銘, ge歌, fu賦, zan 贊, song 頌 etc., focusing on the admiration expressed in these texts for inkstones and introducing the self-reflection of writers. The second section of this essay discusses the attitudes of ancient literary figures about the inkstone and focuses on the special relationships between the inkstone and ancient literary figures. This section focuses especially on documenting the Confucian spirit of ancient literary figures from their attitudes to inkstones. The love of these ancient literary figures for their inkstones was almost incomprehensible to the modern mind. Not only did they honor the the virtue of their inkstones, they wanted to enjoy an eternal friendship with these objects, even going so far as to frequently swear to be real life partners of their inkstones. Their care for these objects was so great they would often write “Yi yan ming” 瘞硯銘 and bury them when they were broken or rendered useless. What is more important, they did not simply praise the virtue and achievement of their inkstones, they sought to learn from them, a practice which they believed contributed to the development of their characters and training of their spirits.

참고문헌 (14)

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