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선법과 조성이론에 의한 4 Chorale Preludes,Vater unser im Himmelreich 비교 분석

Analysis of Four Chorale Preludes, Vater unser im Himmelreich

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참고문헌 (22)

  1. "이귀자. “Hexachord Mutation 이론에 관한 연구 음악연구", pp.88~110 (1982)
  2. "이여진. “창작과 이론 - 시대적 작품 분석을 통한 음악의 구조적 체계 연구 와 2성 오르가눔 의 일괄한 연관 관계", pp.203~260 (1987)
  3. "창작과 분석", 1 (2002), 음악춘추사
  4. "“고대로부터 현대에 이르는 반음계적 개념의 변천 과정", 7, pp.73~117 (2003)
  5. "한양대학교 음악연구소", a(nymous. ad organum faciendum) (1988)
  6. "Willi. The Notation of Polyphonic Music 900-1600 The Mediaeval Academy of America" (1953)
  7. "______. Masters of the Keyboard. Cambridge" (1965), Havard University Press
  8. "______. The History of Keyboard Music to 1700. Bloomington" (1972), Indiana University Press
  9. "Organ Literature: A Comprehensive Survey" (1995), Scarecrow Press
  10. "Manfred Fritz. Music in the Baroque Era from Monteverdi to Bach. New York" (1947), W. W. Norton and Company
  11. "The Cambridge History of Western Music" (2002), Cambridge University Press
  12. ". The Study of Counterpoint tran. by Alfred Mann. New York" (1965), W. W. Norton & Company
  13. "Tonal Structures in Early Music" (1998), Garland Publishing Inc.
  14. "Alfred. The Study of Fugue. New York" (1958)
  15. "Lionel. Hexachords in Late-Renaissance Music. Brookfield" (1998), Ashgate Publishing Company
  16. "Musica enchiriadis and Scolica enchiriadis", pp.~900 (1995), Yale University Press
  17. "Gustave. Music in the Middle Ages. New York" (1940), W. W. Norton & Company
  18. "______. Music in the Renaissance. New York", W. W. Norton & Company. 1954.
  19. ". History of Music Theory University of Nebraska Press"
  20. "trans. by Ernest Newman. New York" (1966)
  21. "The Language of the Modes" (2001), Routledge
  22. ". The Art of Counterpoint tr. by Guy A. Marco and Claude V. Palisca. New York", zarli (1968), W. W. Norton & Company

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