텍스타일 디자인 패러다임의 변화에 따른 디지털 크래프트 연구

Abstract

Background : Textile design has been influenced by paradigms and has continued to develop. In the design field, artificial intelligence, big data, and 3D printing technology are being utilized as the 4th industrial revolution in the design field, but paradoxically, interest in human understanding and exploration has increased, requiring analog or subjective approaches. Digital Craft, an expression of fusion of digital and craft that is emerging with these changes, gives the possibility of new creation and aesthetics due to digital productivity and the sensibility of craft, and can increase the visual and spiritual value of design. factor is noted. In the field of textile design, it is judged that research on expression methodologies and approaches that reflect a new paradigm is necessary. The purpose of this study is to prepare a theoretical and practical foundation by examining the digital craft that appears naturally according to the change of the textile design paradigm, and to present basic data for related research by collecting and analyzing design cases using it. Methods : In this study, the necessity of research is revealed by examining changes in the textile design paradigm through literature research that refers to books, articles, previous papers, and Internet data. Based on the contents of the theoretical consideration, examples of digital craft appearing in the field of textile design are collected and analyzed, and the significance of digital craft is summarized. Finally, the development of the textile design field is promoted by consolidating and discussing the previously explored contents and presenting implications. Results : As a result of the research, the textile design paradigm is evolving in the direction of pursuing sensibility beyond the limits of digital manufacturing technology. Digital craft can improve and solve the physical limitations of digital manufacturing technology through handicraft or craft methods, and it compensates for the problem of lack of sensibility of design due to the provision of aesthetics through the reproduction of traditional values. This proves that digital craft can be used as an alternative method according to paradigm change. Conclusions : Unlike before, textile design is changing in a direction that places more emphasis on emotional values. Digital craft is expected to strengthen its meaning as a design element with aesthetic and emotional value by connecting tradition and modernity. In particular, it should be noted that the convergence of digital and craft provides a countermeasure to adapt to changes in the technology and manufacturing ecosystem in the field of textile design in the future.