밀양오북춤과 광양북춤의 음악적 비교 연구

Abstract

In folk music, drum dance is divided into Oibukchum (outside drum dance) and Yangbukchum (bothsides drum dance). The study analyzed drum melody of <Milyang Five Drum Dance> and <Gwangyang Drum Dance> that have a performance pattern of Oibukchum. These two drum dances have both dance style and play style. <Milyang Five Drum Dance> is a group dance danced by five drum holders with oriental philosophical meaning. And <Gwangyang Drum Dance> means ‘drum play’ among individual plays of Gwangyang Pungmulgut, and a player hangs the drum on the elbow and wrist, not carrying on the shoulder, and bends the waist toward the land and beats the drum. The following are comparison of rhythm of the two drum dances and analysis. <Milyang Five Drum Dance> presents strength of Gyeongsang-do as it is in drum rhythm and has little decoration, while <Gwangyang Drum Dance> secures geographical characteristics of the border town between Jeolla-do and Gyeongsang-do and has magnificent and delicate rhythm, but bearing masculine power. In terms of performance transmission, although <Milyang Five Drum Dance> is performed a lot and transmitted because it belongs to a section of Milyang Baekjung Play, Intangible Cultural Property No. 68, <Gwangyang Drum Dance> is gradually disappearing because it is a village Gut performed in a limited area. It is necessary to preserve and transmit rhythms and dance movements of the drum dances through continuous study and performance in order to keep unique individuality of the reagion.