『트로일러스와 크레시더』: 주체의 육체성
The Body-Subject and the Corporeal Materiality in Troilus and Cressida
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Abstract
Anatomy is a new science in the Renaissance England. The knowledge of the body was related to the inwardness of human beings as well as the medical discourse. The body-subject consists of a corporeal materiality of the body in Troilus and Cressida by Shakespeare. I examine how Thesites and Achilles show the corporeal materiality through their bodies in this play, which is based on the Trojan myth with compulsively body-bound. The heroes who fail to perceive their subjectivity in the multiple levels of a myth, a text and a stage, try to identify themselves with their heroic names. However, there is a fissure between the subject and its name, the body and rhetoric. As a clown, Thersites is a body-subject penetrating into the "matter" of Troy with inner-bodily imagery. He anatomizes the interiors of heroes and finds out what there is inside. He recognizes there is dissonance between their heroic names and interior matters. Achilles is a member of the ruling power system. He ignores the command of his superiors with his own pride. He is a dangerous matter giving rise to disease the nation body. The ideological materiality is engraved on his body. I discuss the corporeal materiality of subject in Thersites and Achilles, and find out it fashions the body-subject of the Renaissance England in Troilus and Cressida.
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