자아에서 자기로 집단 무의식의 원형과 동시성 찾기: 칼 융으로 다시 읽는 『루나사에서 춤을』
Searching for the Archetypes of Collective Unconscious and Synchronicity from Ego to Self: Rereading Dancing at Lughnasa with Carl Jung
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This paper focuses on analyzing Brian Friel’s Dancing at Lughnasa using the psychoanalytic approach of Carl Jung, with a particular emphasis on Friel’s intention to write about “drama of the 1930s dances.” Friel sets the work in a strongly Irish countryside village, but he utilizes this local specificity to handle universal emotions through necessary archetypes. Therefore, this study examines how Jung’s concepts of collective unconsciousness, the principle of synchronicity, and integrated ego and self operate within the framework of the memory play. Among them, the principle of synchronicity has still not been well-established, and it has mainly limited to a geographical and spatial concept. However, the concept can be applied to this literary work, and interpreted as part of the exploration of methods that not only reduce the gap between the past and present but also vividly recreate the past. Dancing at Lughnasa explores the life journey of five sisters who seek liberation from repressed emotions by using dance as an object. And according to Jung who distinguishes ego and self, the self plays a pivotal role as the regulator of the mind among the archetypes of the collective unconsciousness, and integrating with the ego. Through the process of individuation, Through this process of individuation, one can observe patterns where some characters fail in integration, while others succeed.
Abstract
This paper focuses on analyzing Brian Friel’s Dancing at Lughnasa using the psychoanalytic approach of Carl Jung, with a particular emphasis on Friel’s intention to write about “drama of the 1930s dances.” Friel sets the work in a strongly Irish countryside village, but he utilizes this local specificity to handle universal emotions through necessary archetypes. Therefore, this study examines how Jung’s concepts of collective unconsciousness, the principle of synchronicity, and integrated ego and self operate within the framework of the memory play. Among them, the principle of synchronicity has still not been well-established, and it has mainly limited to a geographical and spatial concept. However, the concept can be applied to this literary work, and interpreted as part of the exploration of methods that not only reduce the gap between the past and present but also vividly recreate the past. Dancing at Lughnasa explores the life journey of five sisters who seek liberation from repressed emotions by using dance as an object. And according to Jung who distinguishes ego and self, the self plays a pivotal role as the regulator of the mind among the archetypes of the collective unconsciousness, and integrating with the ego. Through the process of individuation, Through this process of individuation, one can observe patterns where some characters fail in integration, while others succeed.
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