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전통 남성 수트를 응용한 현대 남성복 디자인 - 직물 패턴의 조형적 특성을 중심으로 -

Traditional male suit, use of modern male fashion design development - Focused on the design characteristics of weaving patterns -

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초록

Recently, and masculine menswear design is diverse, increasing consumer's interest, also continue research on men's clothing. In this study, the formative features of traditional weaving patterns of male suit by recombination, organize, differentiated by new perspectives to analyze modern menswear design development and the purpose for their activation. In this study, the theoretical background of how design is deployed, combining with each other in the pattern and patterns based on menswear design with five to produce. As a result, First, of textile pattern molding characteristic point, the allocation and a set of terms due to a vast array of lines represents a real sense of direction and depth to repeat the plain under control. Second is a combination of color, color image as a whole, in accordance with the rate design is mild and stable or can indicate the effect of personality and keen attention to. Third, traditional weaving patterns of different suit by organism made up of the new pattern for how visual images bore fruit. Fourth, to utilize traditional weaving patterns in this part of a design details maximize the visual effects. Fifth, point, line, terms and harmony of color patterns create will be physically illusions can create images of a new design. This research allows male suit, by reinterpreting the traditional weaving patterns of use with a variety of design development methods and may have been a somewhat static menswear image changes.

Abstract

Recently, and masculine menswear design is diverse, increasing consumer's interest, also continue research on men's clothing. In this study, the formative features of traditional weaving patterns of male suit by recombination, organize, differentiated by new perspectives to analyze modern menswear design development and the purpose for their activation. In this study, the theoretical background of how design is deployed, combining with each other in the pattern and patterns based on menswear design with five to produce. As a result, First, of textile pattern molding characteristic point, the allocation and a set of terms due to a vast array of lines represents a real sense of direction and depth to repeat the plain under control. Second is a combination of color, color image as a whole, in accordance with the rate design is mild and stable or can indicate the effect of personality and keen attention to. Third, traditional weaving patterns of different suit by organism made up of the new pattern for how visual images bore fruit. Fourth, to utilize traditional weaving patterns in this part of a design details maximize the visual effects. Fifth, point, line, terms and harmony of color patterns create will be physically illusions can create images of a new design. This research allows male suit, by reinterpreting the traditional weaving patterns of use with a variety of design development methods and may have been a somewhat static menswear image changes.

참고문헌 (12)

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  2. 김호정, "패션소재표현기법" (2007), 교학연구사
  3. 남윤자, "남성복 패턴 메이킹" (2003), 교학 연구사
  4. 남훈, "남자는 철학을 입는다" (2007), 갤리온
  5. 문병국, "남자의 옷 이야기 1" (1997), 시공사
  6. 방윤미, "현대 수트의 성 정체성 표현에 관한 연구", 석사, 의류학, pp.2009
  7. 이범숙, "능직을 응용한 남성용 직물디자인 연구", 석사, 직물디자인, pp.2001
  8. 이소정, "영국·프랑스·이태리·미국 현대 남성 수트의 패션 이미지", 석사, 의류학, pp.2010
  9. 심미숙, "패션섬유소재 개정판" (2006), 교학연구사
  10. 황정선, "품격 입는 남자" (2014), 황금 부엉이
  11. Cally Blackman, "맨즈웨어 100년" (2014), SEEDPOST
  12. Hopkins, John, "맨즈웨어" (2013), 교문사

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