소설과 텔레비전 드라마의 서사초점 연구 - 박경리 소설『土地』와 1987년 KBS 드라마 <토지>를 대상으로

Abstract

This research compares narrative focuses embodied in novel and drama of‘ Land’. The story of‘ Land’has been adapted to several television dramas. The themes of ‘Land’are five narrative fields, family history, group history, story of tracking conspiracy , love story, ideological story. Tracking conspiracy story has been emphasized but the story of ideology has been excluded. This is a clue of the goals of the adapting. Specifically, it shows changes of from multi-voiced affection narrative to lurid affection tragedy, from epic novel of a secret conspiracy to impending tracing narrative, and from historical drama in background to explicit anti-Japanese narrative. The affection story of Gucheon and Byuldangasi is appeared in every single detail even if it is not in explicit in original novel. The tracking story of Gucheon by Choechisu and the conspiracy story of Kimpyeongsan are placed on the front of the drama. But the problem is the thing that the Stories of Choi families are so centered that the surrounding people are not focused. In other words, the center of stories is Choi families in this drama. But The center of this story should be people of Pyungsari resident groups. This story has been created the widespread anti-Japanese fighting by the author of adaptation, unconsciously. The original novel is a historical novel with the overall implications of the korean history under Japanese era. But this history of the Japanese era is as not a sort of flag but a sort of backdrop. Consequently, it negates Adaptation rule #1. “Adapt within the purview and do not distort the theme of the original story.” Television drama needs dramatic structure and an accurate interpretation of the original work. Nevertheless, this change of narravtive focuses in drama is not because of ignorance of adaptation author but because of his censorship in subconscious.