고백의 서사와 이야기하기의 욕망 — 이승우의「오래된 일기」와「전기수(傳奇叟)이야기」를 중심으로
The Confessional Narrative and the Desire of Storytelling —Focusing on Lee Seung Woo’s“ The Old Diary”and“ The Story of a Storyteller”
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Lee Seung Woo’s〈 The Old Diary〉and〈 The Story of a Storyteller〉are his short novels that shows the characteristic features of confessional narrative and meta-writing. These striking features enables us to pay attention to the relationship between the themes and methodologies of his novels. As such, this paper studied the relationship between the confessional narrative and the meta-writing from the following three points of view. Firstly, the sense of guilt of the character had been carved as a trauma in his childhood and was represented as a ‘diary’, that is to say confessional narrative, through his recollection. Secondly, the confessional narrative gained vital force through the process in which the desires of the author and the reader overlap and combine each other. This process shows that the essence of narrative lies in the conjugation of the narrative of desire and the desire of narrative. Thirdly, the repetition of the narrative could be interpreted as something like a therapy for curing the sense of guilt. These three considerations could illuminate from new perspectives how Lee approached the problem of the sense of guilt by psychoanalytic writings. Although Lee is excavating religious and metaphysical themes, he does not present direct conclusion leading to the themes. He only shows diverse indirect ways to approach the themes through psychoanalytic writings and meta-narratives.
Abstract
Lee Seung Woo’s〈 The Old Diary〉and〈 The Story of a Storyteller〉are his short novels that shows the characteristic features of confessional narrative and meta-writing. These striking features enables us to pay attention to the relationship between the themes and methodologies of his novels. As such, this paper studied the relationship between the confessional narrative and the meta-writing from the following three points of view. Firstly, the sense of guilt of the character had been carved as a trauma in his childhood and was represented as a ‘diary’, that is to say confessional narrative, through his recollection. Secondly, the confessional narrative gained vital force through the process in which the desires of the author and the reader overlap and combine each other. This process shows that the essence of narrative lies in the conjugation of the narrative of desire and the desire of narrative. Thirdly, the repetition of the narrative could be interpreted as something like a therapy for curing the sense of guilt. These three considerations could illuminate from new perspectives how Lee approached the problem of the sense of guilt by psychoanalytic writings. Although Lee is excavating religious and metaphysical themes, he does not present direct conclusion leading to the themes. He only shows diverse indirect ways to approach the themes through psychoanalytic writings and meta-narratives.
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