전후 한국시에 나타난 자연과 병리학적 상상력
A nature and pathological imagination in postwar Korean poetry
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
This article appeared in the 1950s, postwar Korean poetry at the ruinsconsciousness of the natural aspects looked at in relation. At this time,Nature is impression and praise, but the violence of the times, or issubject to one Sense of barrenness and relevant. Park, In-Hwan after the war, based on the real experience of naturedeficiency is presented, and The ‘life’and ‘death’shows. It appears tohave anticipated anxiety. To protect themselves psychologically‘ defensemechanisms’are trying to find. Destroyed according to the routineaspects of the poetic subject shows their fear. Poetry of his Incompetenceand absence lack of target,‘ Impractical’and‘ despair’is represented. Kim Soo-Young a ‘routine’in the symbolic life tragically repressednatural systems is presented. In the history of disturbing the normalgrieving, he appears between depression status and experience wereimplemented image. Fatigue and boredom in his poetry the tragic targettired of the subject and the‘ depressed’and‘ helplessness’in the face isrepresented by aspects. It is a new subject is like trying to find a sense oftime. Historical situations and case he witnessed in the work of theunconscious is revealed. But, Awareness of the target at different layers are oriented than the new awareness. Jeon Bong-Geon is war experience of‘ Birthplace’image, the meaningof the existential nature dealt with. Poetic subject he says the state ishurled into a deserted area, and ‘Alienation’and ‘irrelevant’to theexperience. However, the reality of the self, and a glimpse of cleavage islikely to recover. Also, after originating in the ruins of the power ofsensual pain and wound healing, and tried to overcome. Since the 1950s,according to the explicit intention to visualize the before and afterexperience of critical self-consciousness to overcome the resistance wastransformed into sensory oriented. Poet of the above three people went through the experience of war andthe nature of the metaphorical or symbolic representation technique was. The poet’s imagination, combined with conscious and unconscious isprojected on the image. Repressed unconscious due to the reality andneeds of divided self ventilation, natural transition is revealed in theimage intact.
Abstract
This article appeared in the 1950s, postwar Korean poetry at the ruinsconsciousness of the natural aspects looked at in relation. At this time,Nature is impression and praise, but the violence of the times, or issubject to one Sense of barrenness and relevant. Park, In-Hwan after the war, based on the real experience of naturedeficiency is presented, and The ‘life’and ‘death’shows. It appears tohave anticipated anxiety. To protect themselves psychologically‘ defensemechanisms’are trying to find. Destroyed according to the routineaspects of the poetic subject shows their fear. Poetry of his Incompetenceand absence lack of target,‘ Impractical’and‘ despair’is represented. Kim Soo-Young a ‘routine’in the symbolic life tragically repressednatural systems is presented. In the history of disturbing the normalgrieving, he appears between depression status and experience wereimplemented image. Fatigue and boredom in his poetry the tragic targettired of the subject and the‘ depressed’and‘ helplessness’in the face isrepresented by aspects. It is a new subject is like trying to find a sense oftime. Historical situations and case he witnessed in the work of theunconscious is revealed. But, Awareness of the target at different layers are oriented than the new awareness. Jeon Bong-Geon is war experience of‘ Birthplace’image, the meaningof the existential nature dealt with. Poetic subject he says the state ishurled into a deserted area, and ‘Alienation’and ‘irrelevant’to theexperience. However, the reality of the self, and a glimpse of cleavage islikely to recover. Also, after originating in the ruins of the power ofsensual pain and wound healing, and tried to overcome. Since the 1950s,according to the explicit intention to visualize the before and afterexperience of critical self-consciousness to overcome the resistance wastransformed into sensory oriented. Poet of the above three people went through the experience of war andthe nature of the metaphorical or symbolic representation technique was. The poet’s imagination, combined with conscious and unconscious isprojected on the image. Repressed unconscious due to the reality andneeds of divided self ventilation, natural transition is revealed in theimage intact.
참고문헌 (58)
- 강연호, "김수영시연구", 박사, pp.1995
- 고은, "1950년대 : 그 폐허의 문학과 인간" (2005), 향연
- 구인환, "한국전후문학연구" (1996), 삼지원
- 권경아, "1950년대 한국 모더니즘 시의 근대성 연구 : <후반기>동인을 중심으로", 박사, 국어국문학, pp.2011
- 권영민, "한국현대문학사(1945~1990)" (1993), 민음사
- 권오만, "김수영시의기법론", 한양어문연구, 13 (1996), 한양대한양어문연구회
- 권혁웅, "한국현대시의시작방법연구", 박사, pp.2000
- 김수영, "김수영전집1 시" (2011), 민음사
- 김수영, "김수영전집2 산문" (1981), 민음사
- 김은영, "박인환의 시와 현실인식" (2010), 글벗
- 김재홍, "한국전쟁과현대시의응전력" (1978), 평민서당
- 김종윤, "金洙暎 詩 硏究", 석사, pp.1987
- 김종윤, "태도의시학", 현대문학의연구, 1 (1989), 한국문학연구회
- 김종호, "박인환 시의 공간구조와 현실 인식", 인문과학연구, (31), pp.73~97 (2011), 인문과학연구소
- 김현승, "김수영의시사적위치와업적", 창작과비평, (가을) (1968)
- 金惠順, "金洙暎 詩 硏究 : 담론의 특성 연구", 박사, 국어국문, pp.1993
- 문혜원, "한국현대시와모더니즘" (1996), 신구문화사
- 박슬기, "박인환 시에서의 우울과 시간의식", 한국시학연구, (33), pp.219~243 (2012), 한국시학회[DOI]
- 박주현, "김수영 문학에 나타난 내면적 자유 연구: 죽음과 사랑을 중심으로", 박사, 현대문학, pp.2003
- 박지영, "김수영 시에 나타난 '자연'과 '몸'에 관한 사유", 민족문학사연구, 20, pp.271~299 (2002), 민족문학사학회
- 맹문재, "박인환전집" (2008), 실천문학사
- 백낙청, "역사적인간과시적인간", 창작과비평, (여름) (1977)
- 손진은, "1950년대 한국 전쟁에 대한 시적 대응양상 연구 -국가주의 시선과 그 극복양상을 중심으로", 국제언어문학, (25), pp.141~169 (2012), 국제언어문학회[DOI]
- 송기한, "한국전후시와시간의식" (1996), 태학사
- 신기훈, "1950년대 현실주의시의 대항담론 연구", 박사, 현대문학(국어국문학), pp.2002
- 여태천, "김수영의 시와 언어" (2005), 月印
- 오문석, "김수영의 시론 연구", 박사, 국어국문학, pp.2002
- 오채운, "박인환 시의 여성 이미지에 나타난 현실인식 연구", 人文科學硏究, 31, pp.43~64 (2013), 인문과학연구소
- 윤정룡, "1950년대한국모더니즘시연구", 박사, pp.1992
- 윤정룡, "전후시의미로" (2000), 호민
- 이경희, "김수영의시의언어학적구조와그의미", 이화어문론집, 8 (1986), 이화여대 한국어문연구소
- 이기성, "1950년대 모더니즘 시의 시간의식과 시쓰기", 박사, 국어국문학, pp.2002
- 이남호, "1950년대의시인들" (1994), 나남
- 이소영, "1950년대 모더니즘 시 연구 : 박인환, 전봉건, 김수영의 시를 중심으로", 박사, 국어국문학, pp.2004
- 이승훈, "6·25 체험의시적극복", 문학사상 (1988)
- 이어령, "화전민지대, In 저항의문학" (1965), 예문관
- 이재훈, "박인환 시의 현실인식과 사상성 연구", 한국문예창작, 6(1), pp.85~108 (2007), 한국문예창작학회
- 이지엽, "한국전후시연구" (1997), 태학사
- 이진영, "전후 한국 모더니즘 문학론 연구", 박사, 국어국문학, pp.2002
- 이호연, "김수영 시의식 연구", 박사, 국어국문학과, pp.2012
- 전봉건, "전봉건시전집" (2008), 문학동네
- 조영복, "한국현대시와언어의풍경" (1999), 태학사
- 최두석, "김수영의 시 세계", 인문학보, 23 (1997), 강릉대 인문과학연구소
- 한국문학연구회편, "1950년대남북한시인연구" (1996), 국학자료원
- 한명희, "박인환 시의 정신분석적 접근-‘죽음’과 ‘여성’의 문제", 어문학, 81, pp.301~324 (2003), 한국어문학회
- 허금주, "박인환 시에 나타난 죽음의식 연구", 한국언어문화, (19) (2001), 한양대
- 황정산, "김수영시의리듬-시행엇붙임과의미의상호호환, In 김수영" (2003), 새미
- E. Fromm, "The Art of Loving" (1956), Bantam Books
- Heidegger, Martin, "Being and Time" (1962), Harper and Row
- Jon G. Allen, "트라우마의 치유" (2010), 학지사
- Judith Herman, "트라우마" (2007), 플래닛
- Julia Kristeva, "검은태양-우울증과멜랑콜리" (2004), 동문선
- LaCapra, "Writing History, Writing Trauma" (2001), The Johns Hopkins University Press
- Montaigne, "The Complete Essays of Montaigne" (1958), Stanford University Press
- R. S. Parker, "Poetry as Therapeutic Art" (1969), Leedy
- Sigmund Freud, "슬픔과우울증, In 무의식에관하여" (1997), 열린책들
- Sigmund Freud, "정신병리학의문제들" (1997), 열린책들
- Sigmund Freud, "쾌락원칙을넘어서", 열린책들 (1997)