해방기 북한의 사실주의 연극론 연구 －주영섭과 라웅의 연극론을 중심으로－

Abstract

The purpose of this study is to investigate the reality of North Korea's realist theater theory from immediately after liberation to before the Korean War, focusing on the theater theory of Joo Young－seop and Ra ung. As a result of the study, it was analyzed as three. First, it is our people's gestures, speech skills, and acting that they experience. During the liberation period, it was urgent to get away from the speech skills that substituted the Korean language with Japanese accents and let actors develop our gestures and speech skills. Second, it is the method of directing that is analyzed. The analysis of characters and scenes is the key, and North Korea calls it "analysis of reverse behavior," "confirmation of actors' tasks," and "the goal of the scene." In addition, the directing method that builds rhythm through the actor's reaction was emphasized. Third, it is a stage that captures and embodies the essence of objects. As such, North Korea's realist theater theory during the liberation period is a mixture of movements to liquidate the Japanese remnants and find national identity, and it can be meaningful in that it has served as the basis for North Korean theater creation methodology to date by laying the groundwork for North Korean theater creation methodology.