본문 바로가기
KERD
논문KCI 등재

피핑톰 무용단의 작품에 나타난 초현실주의 특성에 관한 연구 - 가족 3부작 작품 「아버지」, 「어머니」, 「아이」를 중심으로 -

A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –

0

조회

0

다운로드

3

인용

0

참고문헌

키워드

주제분류무용

초록

In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work 「Vader」 expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. 「Moeder」 also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work 「Kind」 also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.

Abstract

In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work 「Vader」 expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. 「Moeder」 also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work 「Kind」 also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.

참고문헌 (28)

  1. 조윤경, "꿈의 거울" (2018), 이화여자대학교출판문화원
  2. Ades, Dawn, "살바도르 달리" (2014), 시공사
  3. Breton, Andreˊ, "초현실주의 선언" (2012), 미메시스
  4. Bradley, Fiona, "초현실주의" (2003), 열화당
  5. Duplessis, Yvonne, "초현실주의" (1983), 탐구당
  6. Foster, Hal, "욕망 죽음 그리고 아름다움" (2005), 아트북스
  7. Freud, Sigmund, "꿈의 해석" (2016), 열린책들
  8. Gale, Matthew, "다다와 초현실주의" (2001), 한길아트
  9. Nagel, Joachim, "어떻게 이해할까? : 초현실주의" (2008), 미술문화
  10. 김말복, "춤추는 주체의 마이너리티 논의-육체와 욕망 그리고 시간의 경계로부터의 탈주-", 대한무용학회 논문집, 73(2), pp.1~20 (2015), 대한무용학회
  11. 이지원, "The Psychoanalytical Approach and Expression Shown on The Rite of Spring by Vaslav Nijinsky", 무용예술학연구, 66(4), pp.53~71 (2017), 한국무용예술학회[DOI]
  12. 홍명희, "초현실주의 미술과 영화의 상호텍스트성 연구", 박사, pp.2019
  13. "우리 춤이 초현실과 만나면 : 국립무용단 더 룸" (2018)[URL]
  14. "난해한 현대무용? 쉽게 얘기하는 게 고도의 테크닉" (2013)[URL]
  15. "세계 현대무용 주도 벨기에 ‘피핑톰’ 온다" (2013)[URL]
  16. "초현실주의" (2021)[URL]
  17. Alexander, Kelly, "Dark Park: Visceral Experiments with Narrative in Dance Theatre", Master’s, pp.2011
  18. "Moeder" (2016)[URL]
  19. "Droombeelden En Nachtmerries In Theater Over Ouderdom" (2014)[URL]
  20. "Dada 2.0" (2017)[URL]
  21. "Peeping Tom" (2019)[URL]
  22. "Barbican Centre" (2021)[URL]
  23. "‘Bodies can go further than you think’ : Peeping Tom’s bamboozling shows about parenthood" (2018)[URL]
  24. "The Voyeuristic Universe of Peeping Tom" (2019)[URL]
  25. "Moeder, de Peeping Tom, en el programa Atención Obras" (2017)[URL]
  26. "Horrible Body Movement XPeeping Tom. Peeping Tom Dance Company" (2019)[URL]
  27. "PeepingTom – Kind" (2019)[URL]
  28. "“刘怡君”, Peeping Tom Dance Company" (2021)[URL]

관련 논문AI추천

이 간행물의 다른 논문 (11건)