전문무용수의 펠든크라이스 ATM(Awareness Through Movement) 수업 경험에 관한 현상학적 연구
The Phenomenological Study on Professional Dancers' Experience in Feldenkrais ATM(Awareness Through Movement) Class
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The purpose of this study is to explore the essence of professional dancers’ experiences of participating in ATM classes through a phenomenological analysis. To achieve this, five professional dancers were selected as participants, and a total of 12 ATM classes were conducted. Participants’ experience reports and in-depth interview data were collected and analyzed using Giorgi’s descriptive phenomenological method. The study identifies the essence of the experiences of professional dancers who participated in ATM classes, which were categorized as follows: ‘discovery of sensory differences,’ ‘development of movement strategies,’ ‘flexibility of thinking,’ ‘re-recognition of achievement,’ and ‘self-discovery and application’. Additionally, by synthesizing the research findings, the core essence of these experiences, was analyzed as ‘change in self-image’. This change in the self-image was ultimately revealed through the phenomena of ‘recovery and care’ and ‘learning, unlearning, and relearning’.
Abstract
The purpose of this study is to explore the essence of professional dancers’ experiences of participating in ATM classes through a phenomenological analysis. To achieve this, five professional dancers were selected as participants, and a total of 12 ATM classes were conducted. Participants’ experience reports and in-depth interview data were collected and analyzed using Giorgi’s descriptive phenomenological method. The study identifies the essence of the experiences of professional dancers who participated in ATM classes, which were categorized as follows: ‘discovery of sensory differences,’ ‘development of movement strategies,’ ‘flexibility of thinking,’ ‘re-recognition of achievement,’ and ‘self-discovery and application’. Additionally, by synthesizing the research findings, the core essence of these experiences, was analyzed as ‘change in self-image’. This change in the self-image was ultimately revealed through the phenomena of ‘recovery and care’ and ‘learning, unlearning, and relearning’.
참고문헌 (29)
- Feldenkrais, M., "펠덴크라이스의 ATM" (2021), 소마코칭출판사
- Elgelid, S., "The Feldenkrais Method: Learning Through Movement" (2021), Jessica Kingsley Publishers
- Feldenkrais, M., "Awareness through Movement: Health Exercises for Personal Growth" (1972), Harper and Row
- Giorgi, A., "Phenomenology and psychological research" (1985), Duquensne University Press
- 권병철, "무용수의 즉흥능력향상을 위한 휄든크라이스 방식의 활용 : 숨무브먼트<내밀의 무한> 현대무용 공연을 기반으로", 무용역사기록학, 29(2), pp.21~42 (2013)
- 김가은, "대학 무용전공생의 ‘즉흥무용 워크샵(Improvisation Dance Workshop)’ 사례 연구", 무용예술학연구, 77(1), pp.43~61 (2020)
- 김나영, "북한이탈청소년 대상 통합예술치료에서의 예술치료사 체험 연구", 무용예술학연구, 66(4), pp.19~33 (2017)
- 서채린, "펠든크라이스 ATM®(Awareness Through Movement)방식이 무용수의 신체자각 능력에 미치는 영향에 관한 연구-대학 3학년 현대무용 전공생을 중심으로", 무용예술학연구, 82(2), pp.15~34 (2021)
- 최청자, "Feldenkrais Method가 현대무용전공자의 무용능력성취에 미치는 영향", 한국무용과학회지, 24(2), pp.1~19 (2011)
- Barnstaple, R. E., "Movement in mind: dance, self-awareness and sociality-an investigation of dance as treatment", therapy, York University, 2016
- Batson, G., "Revisiting the value of somatic education in dance training through an inquiry into practice schedules", Journal of Dance Education, 7(2), pp.47~56 (2007)
- Chappell, K., "The aesthetic, artistic and creative contributions of dance for health and wellbeing across the lifecourse : A systematic review", International Journal of Qualitative Studies on Health and Well-Being, 16(1), pp.1~21 (2021)
- Coogan, J., "Learning with the Feldenkrais Method® of somatic education in the dance technique class : A case study", Feldenkrais Research Journal, 6, pp.3~32 (2018)
- Fortin, S., "Integrating the Feldenkrais Method within dance technique class", The Feldenkrais Journal, 17, pp.41~53 (2004)
- Fortin, S., "Three voices : Researching how somatic education informs contemporary dance technique classes", Research in dance education, 3(2), pp.155~179 (2002)
- Green, J., "Somatic authority and the myth of the ideal body in dance education", Dance Research Journal, 31(2), pp.80~100 (1999)
- Green, J., "Somatic konwledge : The body as content and methodlogy in dance education", Journal of Dance Education, 2(4), pp.114~118 (2002)
- Henry, L. J., "Feldenkrais method and movement education–An alternate therapy in musculoskeletal rehabilitation", Polish annals of medicine, 23(1), pp.68~74 (2016)
- Howe, D., "To know slowly : How the Feldenkrais Method has informed a dance performance and pedagogic pathway", Feldenkrais Research Journal, 6, pp.2~18 (2019)
- Kampe, T., "Eros and inquiry : The Feldenkrais Method® as a complex resource", Theatre, Dance and Performance Training, 6(2), pp.200~218 (2015)
- Klien, M., "Choreography as an Aesthetics of Change", Doctor, pp.2008
- Meenan, M. J., "Exploring the Modern Dance Technique Class as a Somatic Practice", Master, pp.2013
- Mölders, C., "Does engagement with the Feldenkrais Method® influence body awareness, motivation and self-regulation of adolescent dancers? A case study during the Covid-19 pandemic", Feldenkrais Research Journal, 7, pp.1~42 (2023)
- Stephens, J., "Evidence for the effectiveness of the Feldenkrais method", Kinesiology Review, 9(3), pp.228~235 (2020)
- Witteman, C., "Body as prism: Somatic pedagogy in the development of embodied ecological awareness", Canadian Journal of Environmental Education, 23(3), pp.74~91 (2020)
- Worth, L., "Sensing difference: Student and teacher perceptions on the integration of the Feldenkrais method of somatic education and contemporary dance technique", Feldenkrais Research Journal, 2, pp.1~155 (2005)
- Worth, L., "Symmetry and asymmetry in dance and movement training using the Feldenkrais Method®", Theatre. Dance and Performance Training, 6(2), pp.130~144 (2015)
- (2010)[URL]
- "Standards of Practice of the Feldenkrais Method" (1994)[URL]
