숏폼의 춤, 규범과 권력 사이의 자율성 - 버틀러의 수행성 개념을 중심으로 -
The Politics of Short-form Dance, Autonomy between Norms and Power - Focusing on Judith Butler’s Concept of Performativity -
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Abstract
The purpose of this study is to explore the embodied meanings present in the public’s performance of short-form dance. Centered on Judith Butler’s concept of performativity, the study analyzes five representative cases from each year before and after the COVID-19 pandemic. Short-form dance functions as an alternative bodily performance that resonates with the shared condition of existential vulnerability, and as a ec-static practice through which the self is expanded. Within the loose structures of power, the public tends to prefer autonomous performance, and short-form dance co-evolves as an interactive yet distinctive mode of expression. This bodily practice enacts autonomy within the interstices of norms and power, acquiring political agency through a playful performativity that reveals the self to external norms and confronts them, thereby engaging with vulnerability
