매리언 무어의 시학에 관한 시들―“진정한” 어떤 것
Marianne Moore’s Poems on Poetics: Something “Genuine”
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Marianne Moore is a woman poet whose life and works have been compared to those of Christina Rossetti or Emily Dickinson by some critics. However, as a modernist, while possessing similar characteristics to those women poets, she uses far more advanced poetic techniques based on her scientific knowledge and close, minute observation of nature and its objects. Her poems are special and characteristic with ‘frigid,’ unexpected poetic words, images and subjects. Yet, in spite of difficult, inexplicable surfaces of her poems, close analysis of her poems reveals her soft, warm, civil nature inside. Her messages or poetics are either directly or indirectly stated in her poems with certain consistency. She insists that something individual or “genuine” should exist in poems themselves and maintains that an artist can make works of art more precious and worthy by doing unconscious effort rather than by showing off his or her craftsmanship with pride. If we follow those poems about her poetics, we can find that she is more considerate towards others while being strict and exact about herself.
Abstract
Marianne Moore is a woman poet whose life and works have been compared to those of Christina Rossetti or Emily Dickinson by some critics. However, as a modernist, while possessing similar characteristics to those women poets, she uses far more advanced poetic techniques based on her scientific knowledge and close, minute observation of nature and its objects. Her poems are special and characteristic with ‘frigid,’ unexpected poetic words, images and subjects. Yet, in spite of difficult, inexplicable surfaces of her poems, close analysis of her poems reveals her soft, warm, civil nature inside. Her messages or poetics are either directly or indirectly stated in her poems with certain consistency. She insists that something individual or “genuine” should exist in poems themselves and maintains that an artist can make works of art more precious and worthy by doing unconscious effort rather than by showing off his or her craftsmanship with pride. If we follow those poems about her poetics, we can find that she is more considerate towards others while being strict and exact about herself.
참고문헌 (15)
- 김명옥, "메리언 무어 시의 명징성과 모호성", 현대영미시연구, 8(2), pp.5~26 (2002), 한국현대영미시학회
- 이현숙, "시의 본질과 가치: Pound, Stevens, Moore", 현대영어영문학, 32(5), pp.125~141 (1990)
- 최용미, "윌리엄스의 작품에 나타난 에머슨 시학 전통", 현대영미시연구, 13(2), pp.173~200 (2007), 한국현대영미시학회
- Abbott, Craig S, "Marianne Moore: A Reference Guide" (1979), G K Hall
- Engel, Bernard F, "Marianne Moore. Twayne’s United States Authors Series" (1964), College and UP
- Hall, Donald, "Marianne Moore: The Cage and the Animal" (1970), Western Publishing
- Juhasz, Suzanne, "Naked and Fiery Forms: Modern American Poetry by Women: A New Tradition" (1976), Harper & Row
- Kreymborg, Alfred, "Others for 1919: An Anthology of the New Verse" (1920), Nicholas L. Brown
- MacGowan, Christopher, "Twentieth-Century American Poetry. Blackwell Guides to Literature" (2004), Blackwell Publishing
- Miller, Cristanne, "Marianne Moore: Questions of Authority" (1995), Harvard UP
- Moore, Marianne, "The Collected Poems of Marianne Moore" (1951), Macmillan
- Moore, Marianne, "The Complete Poems of Marianne Moore" (1967), Macmillan, Viking
- Moore, Marianne, "A Marianne Moore Reader: Poems and Essays" (1961), Viking
- Phillips, Elizabeth, "Marianne Moore" (1982), Frederick Ungar
- Tomlinson, Charles, "Marianne Moore: A Collection of Critical Essays" (1969), Prentice-Hall