엘리자베스 비숍의 시: “치환의 기술”은 “하나의 예술”
Elizabeth Bishop’s Poetry: The “Art of Displacement” as “One Art”
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Elizabeth Bishop’s “art of displacement” has been viewed as one of her most “pervasive and persistent” strategies throughout her career. It functions as a set of rhetorical techniques to make her poems intricate and multi-layered art; and at the same time as a more personal mechanism to conceal and transform her private life stories, insecure gender, love and loss into “one art.” Thus in analyzing “Sleeping on the Ceiling,” “Sleeping Standing Up,” “Exchanging Hats,” “The Gentleman of Shalott,” and “Crusoe in England,” this paper examines Bishop’s compelling artistic strategy and its subtle and complex implications. The first half of this paper pursues how the art of displacement, particularly the inversion of order and degrees, and the conversion of gender role-play are employed. The second half, arguing how the art of displacement, especially Bishop’s “re-seeing” Tennyson’s “The Lady of Shalott” and Defoe’s Robinson Crusoe, constitutes a methodology toward creative production.
Abstract
Elizabeth Bishop’s “art of displacement” has been viewed as one of her most “pervasive and persistent” strategies throughout her career. It functions as a set of rhetorical techniques to make her poems intricate and multi-layered art; and at the same time as a more personal mechanism to conceal and transform her private life stories, insecure gender, love and loss into “one art.” Thus in analyzing “Sleeping on the Ceiling,” “Sleeping Standing Up,” “Exchanging Hats,” “The Gentleman of Shalott,” and “Crusoe in England,” this paper examines Bishop’s compelling artistic strategy and its subtle and complex implications. The first half of this paper pursues how the art of displacement, particularly the inversion of order and degrees, and the conversion of gender role-play are employed. The second half, arguing how the art of displacement, especially Bishop’s “re-seeing” Tennyson’s “The Lady of Shalott” and Defoe’s Robinson Crusoe, constitutes a methodology toward creative production.
참고문헌 (41)
- 김양순, "무어, 로월과의 관계 속에서 엘리자베스 비숍 읽기 —비숍 시의“내적 특성”들여다보기", 영어영문학, 55(1), pp.25~59 (2009), 한국영어영문학회[DOI]
- 김양순, "엘리자베스 비숍의 연가—성적 정체성 감추기와 드러내기", 영어영문학, 60(4), pp.669~694 (2014), 한국영어영문학회[DOI]
- 박재열, "엘리자베스 비숍과 들뢰즈의 ‘잠재성’", 현대영미시연구, 17(2), pp.93~122 (2011), 한국현대영미시학회
- 황준호, "미디어, 전쟁, 전쟁시: 미츠이 야마다, 엘리자베스 비숍, 뮤리엘 러카이저의 경우", 현대영미시연구, 13(1), pp.173~190 (2007), 한국현대영미시학회
- Baym, Nina, "The Norton Anthology of American Literature" (2013), W. W. Norton
- Bishop, Elizabeth, "The Complete Poems 1927-1979" (1992), Farrar, Straus and Giroux
- Bishop, Elizabeth, "Edgar Allan Poe & The Juke-Box" (2006), Farrar, Straus Giroux
- Bishop, Elizabeth, "Elizabeth Bishop: Poems, Prose, and Letters" (2008), Library of America
- Bishop, Elizabeth, "One Art. Ed. Robert Giroux" (1994), Farrar, Straus Giroux
- Blasing, Mutlu Konuk, "‘Mont D’Espoir or Mount Despair’: The Re-Verses of Elizabeth Bishop", Contemporary Literature, 25(3), pp.341~353 (1984)
- Brown, Ashley, "Conversations with Elizabeth Bishop", pp.18~29 (1996), UP of Mississippi
- Cleghorn, Angus, "The Cambridge Companion to Elizabeth Bishop", pp.1~18 (2014), Cambridge UP
- Cleghorn, Angus, "The Cambridge Companion to Elizabeth Bishop" (2014), Cambridge UP
- Colwell, Anne, "Inscrutable Houses : Metaphors of the Body in the Poems of Elizabeth Bishop" (1997), U of Alabama P
- Cook, Eleanor, "Elizabeth Bishop at Work" (2016), Harvard UP
- Costello, Bonnie, "Elizabeth Bishop: Questions of Mastery" (1991), Harvard UP
- Costello, Bonnie, "Elizabeth Bishop’s Impersonal Personal", American Literary History, 15, pp.334~366 (2003)
- Cucinella, Catherine, "Poetics of the Body: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker" (2010), Palgrave Macmillan
- Defoe, Daniel, "Robinson Crusoe" (1994), W. W. Norton
- Diehl, Joanne Feit, "Elizabeth Bishop: The Geography of Gender", pp.17~45 (1993), UP of Virginia
- Donoghue, Denis, "Connoisseurs of Chaos : Ideas of Order in Modern American Poetry" (1984), Columbia UP
- Erkkila, Betsy, "The Wicked Sisters: Women Poets, Literary History & Discord" (1992), Oxford UP
- Goldensohn, Lorrie, "Elizabeth Bishop : The Biography of a Poetry" (1992), Columbia UP
- Harrison, Victoria, "Elizabeth Bishop’s Poetics of Intimacy" (1993), Cambridge UP
- Hicok, Bethany, "Elizabeth Bishop’s ‘Queer Birds’: Vassar, ‘Con Spirito,’ and the Romance of Female Community", Contemporary Literature, 40(2), pp.286~310 (1999)
- 장철우, "Elizabeth Bishop’s Poetics: The Fluidity and Mobility of the Interior", the Exterior, 2014, pp.20(2), 289~304[DOI]
- Jarrell, Randall, "Poetry and the Age" (2001), UP of Florida
- Kalstone, David, "Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell" (1989), U of Michigan P
- Kent, Kathryn R., "Making Girls into Women" (2003), Duke UP
- Mazzaro, Jerome, "Elizabeth Bishop and the Poetics of Impediment", Salmagundi, 27, pp.118~144 (1974)
- Mazzocco, Robert, "A Poet of Landscape", The New York Review of Books, pp.4~6 (1967)
- Millier, Brett C, "Elizabeth Bishop : Life and the Memory of It" (1993), U of California P
- Moore, Marianne., "The Complete Prose of Marianne Moore" (1986), Penguin
- Mueller, Lisel, "The Sun the Other Way Around", Poetry, 108(5), pp.335~337 (1966)
- Stevenson, Anne, "Five Looks at Elizabeth Bishop" (1998), Bellow
- Tennyson, Alfred Lord, "Tennyson’s Poetry: Authoritative Texts Juvenilia and Early Responses Criticism", pp.13~17 (1971), W. W. Norton
- Travisano, Thomas, "The Cambridge Companion to Elizabeth Bishop", pp.21~34 (2014), Cambridge UP
- Travisano, Thomas, "Elizabeth Bishop: Her Artistic Development" (1989), UP of Virginia
- Travisano, Thomas, "The Elizabeth Bishop Phenomenon", New Literary History, 26, pp.903~930 (1995)
- Travisano, Thomas, "Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell" (2008), Farrar, Straus Giroux
- Wordsworth, William, "Selected Poems and Prefaces" (1965), Houghton Mifflin Company