에즈라 파운드의 시와 비유
Metaphor in the Poetry of Ezra Pound
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The purpose of this study is to explicate the role of metaphor and metonymy in the Imagist poetry of Ezra Pound. Imagism based on the accuracy and concreteness of language contributed to the clearing of the sentimental and rhetorical styles of Victorian verse. An important part of this role is derived mainly from the figure of speech used by the Imagist poetry. Figure of speech is a technique that has been used throughout literary history, but the one in the Imagist poetry is not adopted for its own sake, nor for a decorative purpose. Its analogy is much more concise and accurate, optimized to convey the artist’s emotions. Particularly, metaphor or metonymy serves as the core axis in many of Pound’s Imagist poems. To prove this, this study analyzes Pound’s major Imagist poems, including “Alba,” “Fan-Piece for Her Imperial Lord,” “The Jewel Stairs’ Grievance,” “Δώρια,” “The Tree,” “Gentildonna,” “Liu Ch’e” and “Papyrus”. In some cases, metaphor, and in some cases, metonymy, serves as the central technique of analogy; and in some cases, metaphor and metonymy are mixed; in some cases, in the middle of the work metonymy turns into metaphor. And in some cases, the analogy is so ambiguous that the judgment depends on the reader; and in some cases, the reader cannot find the explicit metaphor in the work itself. Sometimes it seems to exist in the reader’s imagination. All these analyses show us that metaphor and metonymy are the most essential part of Pound’s oeuvre.
Abstract
The purpose of this study is to explicate the role of metaphor and metonymy in the Imagist poetry of Ezra Pound. Imagism based on the accuracy and concreteness of language contributed to the clearing of the sentimental and rhetorical styles of Victorian verse. An important part of this role is derived mainly from the figure of speech used by the Imagist poetry. Figure of speech is a technique that has been used throughout literary history, but the one in the Imagist poetry is not adopted for its own sake, nor for a decorative purpose. Its analogy is much more concise and accurate, optimized to convey the artist’s emotions. Particularly, metaphor or metonymy serves as the core axis in many of Pound’s Imagist poems. To prove this, this study analyzes Pound’s major Imagist poems, including “Alba,” “Fan-Piece for Her Imperial Lord,” “The Jewel Stairs’ Grievance,” “Δώρια,” “The Tree,” “Gentildonna,” “Liu Ch’e” and “Papyrus”. In some cases, metaphor, and in some cases, metonymy, serves as the central technique of analogy; and in some cases, metaphor and metonymy are mixed; in some cases, in the middle of the work metonymy turns into metaphor. And in some cases, the analogy is so ambiguous that the judgment depends on the reader; and in some cases, the reader cannot find the explicit metaphor in the work itself. Sometimes it seems to exist in the reader’s imagination. All these analyses show us that metaphor and metonymy are the most essential part of Pound’s oeuvre.
참고문헌 (24)
- 김욱동, "은유와 환유" (1999), 민음사
- 전홍실, "에즈러 파운드 : 시와 산문선" (1995), 한신문화사
- Childs, John Steven, "Modernist Form : Pound’s Style in the Early Cantos" (1986), Susquehanna University Press
- Coffman, Stanley K, "Imagism" (1972), Octagon
- Fenollosa, Earnest, "The Chinese Written Character as a Medium for Poetry" (1983), City Lights
- Froula, Christine, "A Guide to Ezra Pound’s Selected Poems" (1983), New Directions
- Gage, John T, "In the Arresting Eye : the Rhetoric of Imagism" (1981), Louisiana State Univ Press
- Grieve, Thomas F, "Ezra Pound’s Early Poetry and Poetics" (1997), University of Missouri Press
- Hermans, Theo, "The Structure of Modernist Poetry" (1982), Croom Helm
- Juhasz, Suzanne, "Metaphor and the Poetry of Williams, Pound, and Stevens" (1974), Bucknell University Press
- Kayman, Martin A, "The Modernism of Ezra Pound" (1986), The Macmillan Press
- Knapp, James F., "Twayne’s United States Authors Series" (1979), Twayne Publishers
- Ming, Xie, "Ezra Pound and the Appropriation of Chinese Poetry : Cathay, Translation, and Imagism" (1999), Routledge
- Nadel, Ira., "The Cambridge Companion to Ezra Pound" (1999), Cambridge University Press
- Norman, Charles, "Ezra Pound" (1960), The Macmillan Co
- Pound, Ezra, "Collected Shorter Poems" (1968), Faber & Faber
- Pound, Ezra, "Literary Essays of Ezra Pound. sel. and intro" (1954), Faber & Faber
- Pound, Ezra, "Selected Prose: 1909-1965" (1973), New Directions
- Pound, Ezra, "The Spirit of Romance" (1910), Dent & Son
- Pratt, William, "The Imagist Poem: Modern Poetry in Miniature" (1963), E. P. Dutton & Co
- Ruthven, K. K, "A Guide to Ezra Pound’s Personae(1926)" (1969), University of California Press
- Schwartz, Sanford, "The Matrix of Modernism : Pound, Eliot, and Early Twentieth Century Thought" (1985), Princeton University Press
- Sutton, Walter, "Twentieth Century Views" (1963), Prentice-Hall
- Wheelright, Philip, "Metaphor and Reality" (1962), Indiana University Press