언더그라운드 래퍼 패션의 특성 - 한국과 중국의 비교를 중심으로 -
A Study on Characteristics of Underground Rappers’ Fashion – Focused on the comparison Between China and Korea -
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study aims to gain a deeper understanding of the fashion styles of underground rappers in China and South Korea. Due to rappers’ fashion influence on modern fashion trends, research on rapper fashion has been conducted steadily in the field of apparel. Qualitative research methodologies including literature research and in-depth interviews were the primary techniques used to solve the research questions. In-depth interviews were conducted with 10 Chinese underground rappers and 10 Korean underground rappers to reveal and explore their fashion style and view of fashion. As a result, the participants' fashion styles were categorized into four styles: authentic hip-hop fashion style, popularized hip-hop fashion style, easy sports casual style, and trendy street style. Rappers from both countries consider that their identity as rappers can be demonstrated through their hip-hop fashion style. The influence of hip-hop culture and the pop- ularity of rap music differs between China and Korea. It affects not only the rapper's musical characteristics, but also their fashion style. While Korean underground rappers' fashions style is trendier, Chinese underground rappers' fashions style displays stronger characteristics of hip-hop fashion. Due to the public's negative view of rappers, some Korean under- ground rappers intentionally try to hide their identity by wearing a fashion style that differs from the authentic rapper image. Understanding the fashion styles of underground rappers in Korea and China is expected to assist in predicting future hip-hop culture and rapper fashion trends.
Abstract
This study aims to gain a deeper understanding of the fashion styles of underground rappers in China and South Korea. Due to rappers’ fashion influence on modern fashion trends, research on rapper fashion has been conducted steadily in the field of apparel. Qualitative research methodologies including literature research and in-depth interviews were the primary techniques used to solve the research questions. In-depth interviews were conducted with 10 Chinese underground rappers and 10 Korean underground rappers to reveal and explore their fashion style and view of fashion. As a result, the participants' fashion styles were categorized into four styles: authentic hip-hop fashion style, popularized hip-hop fashion style, easy sports casual style, and trendy street style. Rappers from both countries consider that their identity as rappers can be demonstrated through their hip-hop fashion style. The influence of hip-hop culture and the pop- ularity of rap music differs between China and Korea. It affects not only the rapper's musical characteristics, but also their fashion style. While Korean underground rappers' fashions style is trendier, Chinese underground rappers' fashions style displays stronger characteristics of hip-hop fashion. Due to the public's negative view of rappers, some Korean under- ground rappers intentionally try to hide their identity by wearing a fashion style that differs from the authentic rapper image. Understanding the fashion styles of underground rappers in Korea and China is expected to assist in predicting future hip-hop culture and rapper fashion trends.
참고문헌 (40)
- "Forum on Chinese Culture", 2013, 162~165
- "American hip hop style 1970-1980" (2011)[URL]
- "Drunken Tiger"[URL]
- Edwards, P., "How to rap-The art and science of the hip-hop MC" (2009), Chicago Review Press
- "Fujian Arts", 2007, 45~46
- "Grandmaster Flash & the Furious 5" (2013)[URL]
- "Jay Chou" (2022)[URL]
- 강은지, "국내 힙합뮤지션의 패션유형별 스타일링 분석", 복식, 60(6), pp.62~73 (2010), 한국복식학회
- Kim, S. E., "A Study on the factors and trends of popularities of Korean Hip Hop after 2012", 석사, pp.2017
- 김기덕, "한국 언더그라운드 힙합의 형성과정과 향후과제", 다문화콘텐츠연구, (18), pp.297~325 (2015), 문화콘텐츠기술연구원[DOI]
- 김태룡, "<쇼미더머니>를 통해 본 한국 언더그라운드 힙합의 현재와 향후 과제", 통일인문학, 71, pp.139~167 (2017), 인문학연구원[DOI]
- 김윤, "힙합 패션 트렌드에 관한 연구 -2000년대 이후 트렌드를 중심으로-", 복식, 60(2), pp.1~19 (2010), 한국복식학회
- 김윤, "대중문화로서 국내 힙합 패션 트렌드에 관한 연구 - 2000년대 이후 사례를 중심으로 -", 한국패션디자인학회지, 12(1), pp.19~38 (2012), 한국패션디자인학회
- "L.A. Boyz" (2017)[URL]
- 이인성, "힙합 뮤지션의 패션 스타일 연구( 흑인 뮤지션 스타와 국내 힙합 뮤지션의 비교 연구 중심으로 )", 한국의상디자인학회지, 8(1), pp.127~136 (2006), 한국의상디자인학회
- Lee, J. H., "The origination and changes of hiphop fashion on the development of hiphop", Journal of the Korean Society of Costume, 46, pp.5~15 (1999)
- 이지현, "Hip -hop Fashion에 나타난 스타일 硏究 -國內外Hip -hop 뮤지션을 中心으로 -", 패션 비즈니스, 6(1), pp.116~127 (2002), 한국패션비즈니스학회
- 이서도, "여성 힙합의 음악적 특성이 여성 힙합 패션에 미친 영향 - 국내 최초 여성 힙합 서바이벌 프로그램 『언프리티 랩스타(Unpretty Rapstar)』를 중심으로 -", 한국의상디자인학회지, 18(3), pp.129~144 (2016), 한국의상디자인학회
- 이영재, "대중음악이 스트리트 스타일의 대중화에 미친 영향에 관한 연구Ⅰ -힙합 음악과 뮤지션 패션을 중심으로-", 한국디자인문화학회지, 19(4), pp.501~512 (2013), 한국디자인문화학회
- "Lil Uzi Vert" (2022)[URL]
- "Lil Wayne" (2018)[URL]
- Na, J. Y., "A Study on the application plans for comprehensive music education", 석사, pp.2007
- 박한힘, "힙합문화의 음악적 특성 변화가 대중 패션에 미친 영향", 복식문화연구, 19(2), pp.172~185 (2011), 복식문화학회[DOI]
- 박송애, "셀러브리티 패션에서 표현된 게토 스타일 연구", 한국의상디자인학회지, 17(3), pp.197~206 (2015), 한국의상디자인학회
- "Public Enemy" (2022)[URL]
- "Run D.M.C" (2020)[URL]
- "Emo-rapper lil peep says his fearless style is what fashion needs right now" (2017)[URL]
- "Seo Taiji & Boys" (2014)[URL]
- Shi, Z. H., "Looking at the development of Chinese rap culture from ‘the rap of China’", Modern Business Trade Industry, (8), pp.170~172 (2019)
- "Show Me the Money" (2017)[URL]
- Strauss, A., "Basics of qualitative research-Techniques and procedures for developing grounded theory" (1998), Sage Publications
- 성연주, "힙합장, 힙합 진정성, 그리고 상징투쟁 - 한국과 미국의 컨트롤대란 사례연구", 문화와 사회, 18, pp.169~214 (2015), 한국문화사회학회[DOI]
- Tan, L. C., "The multidimensional perceptions of and developmental reflections on yout hip-hop culture based on analysis of 'the new rap of China'", Youth Exploration, 1, pp.103~112 (2021)
- "The rap of China" (2018)[URL]
- (2017)[URL]
- "Tupac" (2019)[URL]
- Woods, A., "Rap vocality and the construction of identity", 박사, pp.2009
- "Wu-Tang-Clan" (2017)[URL]
- "What is BTS's ‘fake love’ genre ‘emo hip-hop’?" (2018)[URL]
- "6xi9nie" (2018)[URL]