본문 바로가기
KERD
논문KCI 등재

Ma Ke(馬可)의 작업에 반영된 도가미학 사상

Taoist Aesthetics Reflected in Ma Ke's Works

임은혁|이홍연
한국의류산업학회 (The Society of Fashion and Textile Industry)|2022.12|한국의류산업학회지 (The Korean Fashion and Textile Research Journal)|제24권 제6호|pp. 686-693

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

지속가능성도가Taoistsustainabilityhandicraft수공예马可Ma Ke
주제분류생활과학

초록

The rapid development of the fashion industry in contemporary society has also caused various problemssuch as environmental pollution, material excess, and spiritual poverty. Accordingly, traditional Chinese Taoist aestheticscan solve the spiritual poverty that people are facing today, and the spiritual pursuit of returning to innocence. This study focuses on the works of first generation Chinese designer Ma Ke as an example to discuss the embodimentand application of Taoist aesthetics. The results are as follows: First, Ma Ke's works emphasize the value ofhandicraft through traditional handcrafting and natural fibers, which reflect the beauty of simplicity and the non-actionof Taoist aesthetics. Second, the works acknowledge nature by using natural materials and retaining their originalappearance, which embodies Taoist aesthetics of the beauty in non-action and living in harmony with nature. Third,the collections reflect a critical attitude toward the fashion industry and consumer culture by rethinking consumerismand advocating environmental protection, thus propagating the beauty in simplicity and the harmonious life withnature in Taoism aesthetics. In conclusion, Ma Ke's designs incorporating sustainability and handicraft exhibit thecore features of Taoist aesthetics, including the beauty in simplicity, non-action, and living in harmony with naturewhile exploring the relationship between modernity and tradition, man and nature, and handicraft and fashion. Thisresearch can contribute to understanding Ma Ke's works in promoting critical thinking about the fashion industrythrough Taoist aesthetics.

Abstract

The rapid development of the fashion industry in contemporary society has also caused various problemssuch as environmental pollution, material excess, and spiritual poverty. Accordingly, traditional Chinese Taoist aestheticscan solve the spiritual poverty that people are facing today, and the spiritual pursuit of returning to innocence. This study focuses on the works of first generation Chinese designer Ma Ke as an example to discuss the embodimentand application of Taoist aesthetics. The results are as follows: First, Ma Ke's works emphasize the value ofhandicraft through traditional handcrafting and natural fibers, which reflect the beauty of simplicity and the non-actionof Taoist aesthetics. Second, the works acknowledge nature by using natural materials and retaining their originalappearance, which embodies Taoist aesthetics of the beauty in non-action and living in harmony with nature. Third,the collections reflect a critical attitude toward the fashion industry and consumer culture by rethinking consumerismand advocating environmental protection, thus propagating the beauty in simplicity and the harmonious life withnature in Taoism aesthetics. In conclusion, Ma Ke's designs incorporating sustainability and handicraft exhibit thecore features of Taoist aesthetics, including the beauty in simplicity, non-action, and living in harmony with naturewhile exploring the relationship between modernity and tradition, man and nature, and handicraft and fashion. Thisresearch can contribute to understanding Ma Ke's works in promoting critical thinking about the fashion industrythrough Taoist aesthetics.

참고문헌 (40)

  1. Amanda, S., "Storytelling in luxury fashion: brands, visual cultures, and technologies", pp.157~173 (2021), Routledge
  2. Calvin, H., "The art of useless - Fashion, media, and consumer culture in contemporary China" (2021), Columbia University Press
  3. Hsiou-Lien Chen, "Environmental Analysis of Textile Products", Clothing and Textiles Research Journal, 24(3), pp.248~261 (2006), SAGE Publications[DOI]
  4. 정수진, "지속가능성을 위한 패션 액티비즘 - 소셜 미디어를 중심으로 -", 복식문화연구, 28(6), pp.815~829 (2020), 복식문화학회[DOI]
  5. Hazel Clark, "SLOW + FASHION—an Oxymoron—or a Promise for the Future …?", Fashion Theory, 12(4), pp.427~446 (2008), Informa UK Limited[DOI]
  6. "Ma Ke's ‘Useless' Paris Haute Couture week launch" (2008)[URL]
  7. [URL]
  8. Elkington, J., "Cannibals with forks: The triple bottom line of 21st century business(Reprint)" (2002), Capstone
  9. (2016)[URL]
  10. Entwistle, J., "The fashioned body - Fashion, dress & modern social theory(2nd ed.)" (2015), Polity Press
  11. "Ma Ke first talks about designing clothes for Peng Liyuan" (2013)[URL]
  12. Denis Guiot, "A Second-hand Shoppers’ Motivation Scale: Antecedents, Consequences, and Implications for Retailers", Journal of Retailing, 86(4), pp.355~371 (2010), Elsevier BV[DOI]
  13. 한충수, "하이데거 철학에서 보이는 도가의 무용지용(無用之用) 사상", 철학사상, (59), pp.191~219 (2016), 철학사상연구소[DOI]
  14. (2014)[URL]
  15. "The craftsmen in Ma Ke's studio are winding the yarn" (2015)[URL]
  16. Hong, S., "Eastern philosophy and postmoderne" (2005), Yemoon
  17. Jochen, S., (2017), Springer
  18. Annamma Joy, "Fast Fashion, Sustainability, and the Ethical Appeal of Luxury Brands", Fashion Theory, 16(3), pp.273~295 (2012), Informa UK Limited[DOI]
  19. 정호진, "아르데코 패션에 나타난 도가적(道家的) 패션미학", 복식, 69(1), pp.127~140 (2019), 한국복식학회[DOI]
  20. Kimbaraseigo., (2003), Saemoonbook
  21. Anika Kozlowski, "Corporate sustainability reporting in the apparel industry", International Journal of Productivity and Performance Management, 64(3), pp.377~397 (2015), Emerald[DOI]
  22. 이상옥, "현대 미학의 이론에서 본 도가 미학 -노자와 장자의 미학 본체론을 중심으로-", 도교문화연구, 37, pp.109~164 (2012), 한국도교문화학회
  23. "Beauty & Times", 2017, 70~72, 10.16129[DOI]
  24. "Paris Haute Couture Week Palace Royal" (2008)[URL]
  25. (2018)[URL]
  26. 마승재, "장욱진 예술세계에 나타난 道家의 생태미학", 양명학, (64), pp.241~267 (2022), 한국양명학회[DOI]
  27. Louise R. Morgan, "An investigation of young fashion consumers' disposal habits", International Journal of Consumer Studies, 33(2), pp.190~198 (2009), Wiley[DOI]
  28. Anna Nagurney, "Sustainable fashion supply chain management under oligopolistic competition and brand differentiation", International Journal of Production Economics, 135(2), pp.532~540 (2012), Elsevier BV[DOI]
  29. (2020)[URL]
  30. Qiu, Y. S., (1992), Baihua Literature and Art Publishing House
  31. Simona Segre Reinach, "The Identity of Fashion in Contemporary China and the New Relationships with the West", Fashion Practice, 4(1), pp.57~70 (2012), Informa UK Limited[DOI]
  32. (2017)[URL]
  33. (2008)[URL]
  34. "Fashion in motion - Ma Ke Wuyong" (2008)[URL]
  35. "Wuyong living space"[URL]
  36. "Douban" (2020)[URL]
  37. 이로, "道家美学思想在中国古代陶瓷作品中的体现研究", 한국도자학연구, 12(1), pp.85~112 (2015), 한국도자학회[DOI]
  38. 예민희, "럭셔리 패션브랜드의 예술 전략", 한국의류학회지, 38(2), pp.191~200 (2014), 한국의류학회
  39. Zhang, P. P., "The application of Taoist aesthetic thought in the clothing brand design – Take the “Useless” as an example", 석사, pp.2017
  40. Zhu, L. Y., (2010), Lexicographical Publishing House

관련 논문AI추천

상해 패션 위크 중국 신진 패션 디자이너의 “중국풍”윤미나, 하지수한국의류산업학회 · 한국의류산업학회지2021 · 제23권 제5호The effect of ancient Chinese philosophy on Chinese clothing cultureYuanqian Cao, Zhenyu Cao복식문화학회 · 복식문화연구2012 · 제20권 제5호현대 미인에 나타난 노자적 미학의 표현양상: 화장품 광고를 중심으로이수인한국패션비즈니스학회 · 패션 비즈니스2014 · 제18권 제5호펑첸왕 중국 패션 컬렉션에 나타난 신-해체주의 특성이연희, 임안나복식문화학회 · 복식문화연구2023 · 제31권 제6호Utilization of Zen Aesthetic Characteristics in Modern Fashion-(Yohji Yamamoto, Issey Miyake, Uma Wang, and Robert Wun)리커신, 이영재한국패션비즈니스학회 · 패션 비즈니스2024 · 제28권 제6호현대패션에 표현된 일본 전통 미의식에 관한 연구이선희한국의상디자인학회 · 한국의상디자인학회지2008 · 제10권 제3호

이 간행물의 다른 논문 (13건)

소프트 로봇용 4D 프린팅 소재(총설)이선희pp. 667-685동작센싱 스마트레깅스 프로토타입 개발김선희, 황진희, 지승현pp. 694-706메타버스 가상 패션아이템 구매: 자기조절초점을 중심으로안수경pp. 707-718뷰티 인플루언서 특성과 제품 특성이 신제품 수용의도에 미치는 영향 _중국 소비자를 대상으로쉬루이치, 이진화, 김은혜pp. 719-730중고 명품 거래 플랫폼의 속성이 지각된 유용성, 유희성 및 지속사용의도에 미치는 영향강천시, 김미숙pp. 731-743
원문 보기