전통가구 반닫이의 형태적 특성을 활용한 가방디자인 개발
Development of a Bag Design by Incorporating and Adapting the Formative Characteristics of the Traditional Bandaji Chest
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As interest in the environment and sustainability increases, a tendency to pursue eco-design is emerging. Sustainable design coincides with the Korean aesthetic sense of applying the principle of the circulation of nature. Thisstudy examined Korean traditional furniture, Bandaji, from the perspective of historical and cultural sustainability andextracted and adopted a sustainability-related motif. The purpose of this study was to develop a creative bag designthat reflects Korean tradition and strengthens artistry. First, a bag was produced based on the morphological char-acteristics of Gyeonggi-do Bandaji. Second, though the original overall design was maintained, the decorative patternswere modified by, for example, increasing the number of ear decorations on the surface of the bag and reducing thenumber of traps. Third, a new geometric pattern was created for the surface of the bag; this entailed moving the posi-tion of the handle-shaped ear ornament and the leather. Fourth, new decorative patterns were drawn on the surface. This study is meaningful in that it presents a sustainable bag production methodology that reflects Korean aesthetics. It also showcases a designer's unique, creative, and artistic bag design. It is expected that design work inspired byKorean formative beauty will be an opportunity to simultaneously utilize and support various Korean cultural assetsand artworks.
Abstract
As interest in the environment and sustainability increases, a tendency to pursue eco-design is emerging. Sustainable design coincides with the Korean aesthetic sense of applying the principle of the circulation of nature. Thisstudy examined Korean traditional furniture, Bandaji, from the perspective of historical and cultural sustainability andextracted and adopted a sustainability-related motif. The purpose of this study was to develop a creative bag designthat reflects Korean tradition and strengthens artistry. First, a bag was produced based on the morphological char-acteristics of Gyeonggi-do Bandaji. Second, though the original overall design was maintained, the decorative patternswere modified by, for example, increasing the number of ear decorations on the surface of the bag and reducing thenumber of traps. Third, a new geometric pattern was created for the surface of the bag; this entailed moving the posi-tion of the handle-shaped ear ornament and the leather. Fourth, new decorative patterns were drawn on the surface. This study is meaningful in that it presents a sustainable bag production methodology that reflects Korean aesthetics. It also showcases a designer's unique, creative, and artistic bag design. It is expected that design work inspired byKorean formative beauty will be an opportunity to simultaneously utilize and support various Korean cultural assetsand artworks.
참고문헌 (22)
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