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여성의 주체성 추구와 복장 전도: 톰 스토파드의 『사랑에 빠진 셰익스피어』

Viola's PUrsuit of subjectivity through Crossdressing in Shakespeare in Love

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참고문헌 (17)

  1. "바이올라 인 러브 셰익스피어 인 러브", (6), pp.153~167 (1999)
  2. "셰익스피어와 할리우드 이데올로기", 40, pp.537~569 (2000)
  3. "거슬러간 시간 그 상상의 즐거움 사랑에 빠진 셰익스피어", pp.75~98 (2001)
  4. "meaning and gender in the comedies", pp.166~190 (1985)
  5. "Bodies That Matter On the Discursive Limits of Sex"
  6. ".Vested Interests:Cross-dressing and Cultural Anxiety" (1992), Penguin Books
  7. "and Gender Struggle in Early Modern England", pp.418~39 440 (1988)
  8. ".Still Harping on Daughters:Women and Drama in the Age of Shakespeare" (1983), Harvester
  9. "The Elementary Structures of Kinship"
  10. "and the Political Uses of Androgyny in Women in the Middle Ages and the Renaissance", pp.135~153 (1986), Syracuse University Press
  11. ""'Love is not Love':Elizabethan Sonnet Sequences and the Social Order", 49 (1982)
  12. "Shakespeare in Love: A Screenplay" (1998), Miramax Film Corp and Universal Studios
  13. "Twelfth Night" (1988), Routledge
  14. "The Cult of Elizabeth" (1977)
  15. ".Desire and Anxiety:Circulations of Sexuality in Shakespearean Drama" (1992), Routledge
  16. "Viola's Pursuit of Subjectivity Through Crossdressing in Shakespeare in Love"
  17. "Viola's Pursuit of Subjectivity Through Crossdressing in Shakespeare in Love"

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