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『댈러웨이 부인』: 파티와 파티의식

Mrs. Dalloway: Party and Party Consciousness

정명희
한국영미문학페미니즘학회 (The Korean Society For Feminist Studies In English Literature)|2005.06|영미문학페미니즘 (Feminist Studies in English Literature)|제13권 제1호|pp. 141-162

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참고문헌

주제분류영어와문학

초록

Abstract

In Mrs. Dalloway, Virginia Woolf shows an ambivalent attitude towards women's role in social gatherings. Traditionally, a party is considered an inferior pastime of women: a mere specialized activity within their domestic space. Woolf, however, redefines it as an art.Clarissa and Rezia create a self-sufficient world in mending dresses, making hats, and throwing parties. On one interpretation, their individual personality is lost within collective consciousness. In Freudian terms, they lack autonomous selfhood. In Freud's interpretation, the male sex is privileged for its identification with the authority of the father and the acquisition of superego. The female sex denotes only death and castration from the male point of view. Woolf is not just fantasizing a different plot with a strategical reversal of patriarchal values. She simply discovers that the extreme ends of the woman's domestic role are the product of a communal consciousness which is culturally inherited. Woolf's point that imaginary communal identity is based on woman's selfless adaptation is seemingly political. Still, this collective consciousness can be a new value through women's accumulated experience of “splitting off of consciousness” in a patriarchal society.

참고문헌 (19)

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관련 논문AI추천

울프의 댈러웨이 부인에서 광기의 사회적 타자 연구이상규한국현대영미소설학회 · 현대영미소설2006 · 제13권 제1호크리스테바와 『댈러웨이 부인』: 모성의 억압과 회복김진옥한국근대영미소설학회 · 근대영미소설2005 · 제12권 제2호모더니즘 소설에 나타난 의식의 물질성 － 울프와 조이스를 중심으로이효석새한영어영문학회 · 새한영어영문학2006 · 제48권 제4호버지니아 울프의 『댈러웨이 부인』에 나타난 분열된 여성의식노영신새한영어영문학회 · 새한영어영문학2014 · 제56권 제4호댈러웨이 부인의 양가적 욕망 —『댈러웨이 부인』에 나타난 라캉적 여성성김일영, 조영지한국영어영문학회 · 영어영문학2013 · 제59권 제2호『리틀 도릿』과 스펙터클의 사회임순희한국영어영문학회 · 영어영문학2005 · 제51권 제4호

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