아랍 영화 속 정성적 문화코드
Qualitative Culture Code in Arab Films
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Arab films have been the dominant cultural phenonenon among the Arab public during the last several decades. However, a thorough scientific research on the trend and popularity of Arab films have not attracted a great attention. Thus, this paper aims at exploring the characteristics of Arab films in order to understand what the main culture codes are represented in major film products. This research is based on qualitative culture code approach. This is because it may enable us to conduct more objective and reliable analysis on various cultural phenomena. This can be said as an attempt to standardize the features of any cultural phenomenon. Through this analysis, cultural contents in major Arab films can be more scientifically measured. This study collected the most popular 20 Arab films between 2009 and 2011 and examined their contents on the framework of 6 categorizations: dignity, dialogue, destiny, collectivity,authoritarianism, and coercion. Through these qualitative analysis, this study would extract how different the Arab cultural codes are from those of the West and Korea.
Abstract
Arab films have been the dominant cultural phenonenon among the Arab public during the last several decades. However, a thorough scientific research on the trend and popularity of Arab films have not attracted a great attention. Thus, this paper aims at exploring the characteristics of Arab films in order to understand what the main culture codes are represented in major film products. This research is based on qualitative culture code approach. This is because it may enable us to conduct more objective and reliable analysis on various cultural phenomena. This can be said as an attempt to standardize the features of any cultural phenomenon. Through this analysis, cultural contents in major Arab films can be more scientifically measured. This study collected the most popular 20 Arab films between 2009 and 2011 and examined their contents on the framework of 6 categorizations: dignity, dialogue, destiny, collectivity,authoritarianism, and coercion. Through these qualitative analysis, this study would extract how different the Arab cultural codes are from those of the West and Korea.
참고문헌 (18)
- 김형인, "미국과 한국의 문화적 갈등의 근원 - 문화코드의 비교연구", 국제지역연구, 12(1), pp.83~106 (2008), 국제지역연구센터
- 에드워드 홀, "침묵의 언어" (2000), 한길사
- 박세훈, "자본주의 도시와 근대성" (1996), 한울
- 박치완, "문화콘텐츠와 문화코드" (2011), 한국외국어대학교 출판부
- 황해두, "한국 콘텐츠산업의 친디아(Chindia)시장진출을 위한 글로벌마케팅 전략", 국제지역연구, 11(3), pp.433~462 (2007), 국제지역연구센터
- Abu-Lughod. Lila, "Veiled Sentiments: Honor and Poetry in a Bedouin Society" (1996), The American University in Cairo Press
- Armes, Roy, "Postcolonial Images: Studies in North African Film" (2005), Indiana University Press
- McClelland, David C., "Methods of Measuring Human Motivation, In Motives in Fantasy, Action and Society" (1958), D. Van Nos-trand
- Ekman, P., "Universals and Cultural Differences in Facial Expression of Emotion, In Nebraska Symposium on Motivation" (1972), University of Nebraska Press
- Fadwa El Guindi, "Veil Modesty, In Privacy and Resistance" (1999), Berg
- Hammond, Andrew, "Pop culture Arab world: Media, In Arts and Lifestyle" (2004), ABC-CLIO
- Hofstede, Geert, "Culture's Consequences: comparing values, behaviors, institutions, and organizations across nations" (2001), SAGE Publications
- Maslow, A. H., "A Theory of Human Motivation", Psychological Review, 50(4), pp.370~396 (1943)
- Mellor, Noah, "Arab Media" (2011), Polity Press
- Polti, Georges, "Les trente-six situations dramatiques" (1912), Édition du Mercure de France
- Rapaille, Clotaire, "The Culture Code" (2006), Broadway Books
- Shafik, Viola, "Arab Cinema" (1998), The American University of Cairo Press
- Stewart, Frank H, "Honor" (1994), Univesity of Chicago Press