논문KCI 등재
Evolution for Survival: Changes and Responses in Chinese Music to the West Since the 20th Century
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참고문헌 (29)
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- Yu, Siu wah, "“Mongolian Music Preserved in a Qing Dynasty Music Treatise” in the panel “China and its neighbour: Musical Interaction and its Non-Musical Implications”", annual meeting of the Association for Asian Studies (1992)
- Yu, Siu wah, "The Meaning and Cultural Functions of Non-Chinese Musics in the Eighteenth Century Manchu Court", 박사, pp.1996
- Yu, Siu wah, "The Institutionalization of Manchu Dance as Ritual Music in the 18th Century Manchu Court", The Second International Council for Asian Music - a’ak . yayue . nha nhac, pp.255~299 (1997), The National Center for Korean Traditional Performing Arts
- Seminar on Chinese Large Instrumental Ensemble Music Held in Hong Kong, "Yu, Siu wah", Association for Chinese Music Research, 38~41
- Yu, Siu wah, "Mengguyue yue Manzhouwu zai Qingdai de zhengzhi yue wenhua gongneng(The Political and Cultural functions of Mongolian music and Manchu dance in the Qing dynasty), in 滿學研究", pp.420~432, Manxue Yanjiu (Manchu Research)
- Yu, Siu wah, "Lezai Dianchu Zhong: Xianggang Yasu Yinyue Wenhua(Out of Chos and Coincidence: Hong Kong Music Culture)" (2001), Oxford University Press
- Yu, Siu wah, "Shaoshi yingshi diguo: wenhua zhongguo de xiangxiang (The Shaw movie and Television Empire: The Imagination of a Cultural China)", pp.323~339 (2003), Motian Press
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- Yu, Siu wah, "The Concept of Huqin(barbarianlutes): The Chinese Way of Imagining the Others", The Second Huqin Festival Hong Kong (2009), The Hong Kong Chinese Orchestra
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