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Evolution for Survival: Changes and Responses in Chinese Music to the West Since the 20th Century

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참고문헌 (29)

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  2. Duara, Prasenjit, "Rescuing History from the Nation: Questioning Narratives of Modern China" (1995), The Univesity of Chicago Press
  3. Fairbank, K, John, "The Cambridge History of China" (1986), Caves Books Ltd.
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  5. Han, Kuo Huang, "Modern Chinese Orchestra", Asian Music, 11(1), pp.1~40 (1979)
  6. Hong, Chang-tai, "Going to the People: Chinese Intellectuals and Folk Literature. 1918-1937" (1985), Council on East Asian Studies, Harvard University
  7. Hong, Chang-tai, "War and Popular Culture: Resistance in Modern China, 1937-1945" (1994), University of California Press
  8. Hua, Yan Jun, "Erquan Yingyue, full score for erhu and orchestra" (1980), People’s Music Press
  9. Huang Ko Wu, "胡適與赫胥黎", 中央研究院
  10. Jin Shi Soh Jikan, "Collected Papers from Institute of Contemporary Chinese Hisotry", Academia Sinica, 60, pp.1~30 (2008)
  11. Hutchings, Graham, "Modern China: A Companion to A Rising Power" (2001), Penguin Books
  12. Jones, Andrew, "Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age" (2001), Duke University Press
  13. Liao Kuang-Sheng, "Anti foreignism and Modernization" (1984), The Chinese University Press
  14. Qian, Ren-kang, "A Collection of the Songs" (1993), Dongda Book Company
  15. Qian, Ren-kang, "A Study of the Origin of School Songs" (2001), Shanghai Music Press
  16. Shen Su-ru, "On faithfulness, understand ability and elegance: a study of Yan Fu's translation theory" (1998), Commercial Press
  17. Tozer, Warren, "Taiwan’s “Cultural Renaissance”: A Preliminary View", The China Quarterly, 43, pp.87~99 (1970), Cambridge University
  18. Wong, Chuen-fung, "Some issues on the Role of Traditional Music Thoughts in the School Song Movement at the Early Twentieth Century China, in:20世紀初中國傳統音樂思想在“學堂樂歌”運動中的角色所帶出的 一些問題, in 音樂文化", pp.123~215 (2000), People’s Music Press
  19. Xia, Zong-yu, "Hongyi Dashi Yimo(Surviving Calligraphy of Rev. Hangyi)" (1987), Huaxia Press
  20. Yang Bu Wei, "Zaji Zhaojia (Miscelleneous Accounts of the Chao Family)" (1972), Biographical Literature Press
  21. Yu, Siu wah, "“Mongolian Music Preserved in a Qing Dynasty Music Treatise” in the panel “China and its neighbour: Musical Interaction and its Non-Musical Implications”", annual meeting of the Association for Asian Studies (1992)
  22. Yu, Siu wah, "The Meaning and Cultural Functions of Non-Chinese Musics in the Eighteenth Century Manchu Court", 박사, pp.1996
  23. Yu, Siu wah, "The Institutionalization of Manchu Dance as Ritual Music in the 18th Century Manchu Court", The Second International Council for Asian Music - a’ak . yayue . nha nhac, pp.255~299 (1997), The National Center for Korean Traditional Performing Arts
  24. Seminar on Chinese Large Instrumental Ensemble Music Held in Hong Kong, "Yu, Siu wah", Association for Chinese Music Research, 38~41
  25. Yu, Siu wah, "Mengguyue yue Manzhouwu zai Qingdai de zhengzhi yue wenhua gongneng(The Political and Cultural functions of Mongolian music and Manchu dance in the Qing dynasty), in 滿學研究", pp.420~432, Manxue Yanjiu (Manchu Research)
  26. Yu, Siu wah, "Lezai Dianchu Zhong: Xianggang Yasu Yinyue Wenhua(Out of Chos and Coincidence: Hong Kong Music Culture)" (2001), Oxford University Press
  27. Yu, Siu wah, "Shaoshi yingshi diguo: wenhua zhongguo de xiangxiang (The Shaw movie and Television Empire: The Imagination of a Cultural China)", pp.323~339 (2003), Motian Press
  28. Yu, Siu wah, "Such are the Fading Sounds ≪樂猶如此≫" (2005), International Association of Theatre Critics (IATC)
  29. Yu, Siu wah, "The Concept of Huqin(barbarianlutes): The Chinese Way of Imagining the Others", The Second Huqin Festival Hong Kong (2009), The Hong Kong Chinese Orchestra

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