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Beyond Heteronormativity in Toni Morrison’s The Bluest Eye and Home

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This essay examines Toni Morrison’s African-American characters’ struggle in The Bluest Eye (1970) and Home (2012) through the lens of heteronormativity, arguing that they suffer double victimization due to both their race and gender. The Bluest Eye portrays a family tragedy caused by an African-American husband and wife’s failure to live up to images of gender as represented in white, middle-class media. Written forty-two years later, Home describes an African-American man and woman who establish their own lives away from gendered standards after striving to meet social expectations and becoming traumatized in the process. Their adversities stem not only from the deeply rooted racial discrimination in American society but also from subtle gendered norms implanted by heteronormativity. Morrison’s characters in her earlier narrative face a tragic denouement, ultimately destroying their children’s lives. By contrast, Morrison’s later characters explore more utopian ways of life unfettered by heteronormativity, overcoming hardships imposed by white- centered heteronormal society. By portraying socially victimized characters, Toni Morrison problematizes the power behind the discriminatory nature of heteronormativity and suggests a more gender-neutral, egalitarian way of organizing society, free from the constraints of heterosexuality and from violence created by normalized gender rules.

Abstract

This essay examines Toni Morrison’s African-American characters’ struggle in The Bluest Eye (1970) and Home (2012) through the lens of heteronormativity, arguing that they suffer double victimization due to both their race and gender. The Bluest Eye portrays a family tragedy caused by an African-American husband and wife’s failure to live up to images of gender as represented in white, middle-class media. Written forty-two years later, Home describes an African-American man and woman who establish their own lives away from gendered standards after striving to meet social expectations and becoming traumatized in the process. Their adversities stem not only from the deeply rooted racial discrimination in American society but also from subtle gendered norms implanted by heteronormativity. Morrison’s characters in her earlier narrative face a tragic denouement, ultimately destroying their children’s lives. By contrast, Morrison’s later characters explore more utopian ways of life unfettered by heteronormativity, overcoming hardships imposed by white- centered heteronormal society. By portraying socially victimized characters, Toni Morrison problematizes the power behind the discriminatory nature of heteronormativity and suggests a more gender-neutral, egalitarian way of organizing society, free from the constraints of heterosexuality and from violence created by normalized gender rules.

참고문헌 (19)

  1. Berlant, Lauren, "Sex in Public", Critical Inquiry, 24(2), pp.547~566 (1998)
  2. 황보경, "Race, Trauma, and Narrative in Morrison's The Bluest Eye", 영어영문학, 52(5), pp.1061~1088 (2006), 한국영어영문학회
  3. Herz, Marcus, "The Normativity of the Concept of Heteronormativity", Journal of Homosexuality, 62, pp.1009~1020 (2015)
  4. Hunt, Michelle, "Women as Commodities in Danticat’s Breath, Eyes, Memory and Morrison’s The Bluest Eye", Pennsylvania Literary Journal, 8(2), pp.120~149 (2016)
  5. Jelsma, Jess, "Decay and Symbolic Impotence in Toni Morrison’s The Bluest Eye", The Explicator, 75(3), pp.200~202 (2017)
  6. 김혜진, "Building and Weaving Home in Toni Morrison’s Home", 미국학 논집, 46(2), pp.241~269 (2014), 한국아메리카학회
  7. 김광순, "Playing in the Marginal Space: Unlearning and Queering the Master’s Narrative in Toni Morrison’s Sula", 영어영문학, 59(6), pp.1021~1034 (2013), 한국영어영문학회[DOI]
  8. Koopman, Emy, "Incestuous Rape, Abjection, and the Colonization of Psychic Space in Toni Morrison’s The Bluest Eye and Shani Mootoo’s Cereus Blooms at Night", Journal of Postcolonial Writing, 49(3), pp.303~315 (2013)
  9. McKittrick, Katherine, "Black and ’Cause I’m Black I’m Blue’: Transverse Racial Geographies in Toni Morrison’s The Bluest Eye", Gender, Place, and Culture, 7(2), pp.25~42 (2000)
  10. Montgomery, Maxine, "Bearing Witness to Forgotten Wounds: Toni Morrison’s Home and the Spectral Presence", The South Carolina Review, 47(2), pp.14~24 (2015)
  11. Morrison, Toni, "The Bluest Eye" (1970), Vintage
  12. Morrison, Toni, "Home" (2012), Vintage
  13. Rokotnitz, Naomi, "Constructing Scaffolding through Embodied Receptiveness: Toni Morrison’s The Bluest Eye", Style, 41(4), pp.385~481 (2007)
  14. Roye, Susmita, "Toni Morrison’s Disrupted Girls and Their Disturbed Girlhoods The Bluest Eye and A Mercy", Callaloo, 35(1), pp.212~227 (2012)
  15. Schlossberg, Linda, "Passing Identity and Interpretation in Sexuality, Race, and Religion", pp.1~12 (2001), New York UP
  16. "Toni Morrison Talks about Her Motivation for Writing", Youtube. uploaded by Visionaryproject. 13 Mar. 2017, ~ (2017)
  17. Visser, Irene, "Fairly Tale and Trauma in Toni Morrison’s Home", MELUS, 41(1), pp.148~164 (2016)
  18. Warner, Michael, "Introduction: Feat of a Queer Planet", Social Text, 29, pp.3~17 (1991)
  19. Whitehead, Anne, "Trauma Fiction" (2004), Edinburgh UP

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