Reading Against the Grain: Whiteness, Class, and Space in William Faulkner’s As I Lay Dying
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Many critics on William Faulkner’s As I Lay Dying have read Addie Bundren as the disrupter of patriarchal power. By raising a question about the usefulness of language, which is the symbolic power of patriarchy and having an affair with the preacher Whitfield outside her wedlock, Addie directly challenges patriarchal power. From a quite different vantage point, however, we can read Addie as the faithful protector of the norm of whiteness in the South in light of the social hierarchy. As a former school teacher, Addie is from middle class before her marriage. By her marriage to Anse, who is a lower-class white, Addie has class anxiety that her social status in the stratum of whiteness could be degraded from a middle to a lower-class white, “white trash,” which means that she is not white enough to be considered as the normative whiteness. Especially, Addie’s anxiety increases due to the fact that her lazy husband is reluctant to work and relies on her neighbors, causing her family to be entrapped at the bottom in the stratum of whiteness. Therefore, she decides to take revenge on her husband after giving birth to her second child Darl by asking Anse to bury her dead body in her familial burial site in Jefferson. By rendering her family to suffer the hardship during her funeral procession, not only does she succeed in taking revenge on Anse on the surface, she regains her social status as a middle-class white by being buried in Jefferson fundamentally.
Abstract
Many critics on William Faulkner’s As I Lay Dying have read Addie Bundren as the disrupter of patriarchal power. By raising a question about the usefulness of language, which is the symbolic power of patriarchy and having an affair with the preacher Whitfield outside her wedlock, Addie directly challenges patriarchal power. From a quite different vantage point, however, we can read Addie as the faithful protector of the norm of whiteness in the South in light of the social hierarchy. As a former school teacher, Addie is from middle class before her marriage. By her marriage to Anse, who is a lower-class white, Addie has class anxiety that her social status in the stratum of whiteness could be degraded from a middle to a lower-class white, “white trash,” which means that she is not white enough to be considered as the normative whiteness. Especially, Addie’s anxiety increases due to the fact that her lazy husband is reluctant to work and relies on her neighbors, causing her family to be entrapped at the bottom in the stratum of whiteness. Therefore, she decides to take revenge on her husband after giving birth to her second child Darl by asking Anse to bury her dead body in her familial burial site in Jefferson. By rendering her family to suffer the hardship during her funeral procession, not only does she succeed in taking revenge on Anse on the surface, she regains her social status as a middle-class white by being buried in Jefferson fundamentally.
참고문헌 (17)
- "Urban Dictionary. com" (2011), Urban Dictionary
- Delaney, David, "The Space That Race Makes", Professional Geographer, 54(1), pp.6~14 (2002)
- Faulkner, William, "As I Lay Dying" (1990), Vintage International
- Gault, Cinda, "The Two Addies: Maternity and Language in William Faulkner’s As I Lay Dying and Alice Munro’s Lives of Girls and Women", The American Review of Canadian Studies, 36(3), pp.440~457 (2006)
- Hodge, Amber, "The Casket in the Corpse: The Wooden (Wo)man and Corporeal Impermanence in As I Lay Dying", The Southern Quarterly, 53(1), pp.13~24 (2015)
- Ladd, Barbara, "Resisting History: Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty" (2007), Louisiana State UP
- Leyda, Julia, "Reading White Trash: Class, Race, and Mobility in Faulkner and Le Sueur", Arizona Quarterly, 56(2), pp.37~64 (2000)
- Marius, Richard, "Reading Faulkner: Introduction to the First Thirteen Novels" (2006), U of Tennessee P
- Palmer, Louis, "Bourgeois Blues: Class, Whiteness, and Southern Gothic in Early Faulkner and Caldwell", The Faulkner Journal, 22(1, pp.2) (2006), 120~139
- Reaney, P. H., "A Dictionary of English Surnames" (1991), Routledge
- Roberts, Diane, "Faulkner and Southern Womanhood" (1994), U of Georgia P
- Roediger, David R., "The Wages of Whiteness: Race and the Making of the American White Working Class" (1999), Verso
- 사미옥, "Whiteness in Toni Morrison’s A Mercy", 미국소설, 24(2), pp.197~230 (2017), 미국소설학회[DOI]
- Spavento, Elizabeth, "Exploring the Nature of Individual Identity in Faulkner’s As I Lay Dying and Ware’s Jimmy Corrigan’s ‘The Smartest Kid on Earth.’", The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English, 9(1), pp.65~94 (2013)
- Todd, Jason S., "A Good Carpenter: Cash Bundren’s Quest for Balance and Authority", The Southern Literary Journal, 46(1), pp.48~60 (2013)
- Watson, Jay, "Faulkner and Whiteness", pp.19~55 (2011), UP of Mississippi
- Wray, Matt, "Whiteness: A Critical Reader" (1997), New York UP
