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White Teeth and the Making of the Multiethnic Subject

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This essay is an attempt to critique the notion of hybridity that has so far facilitated a liberal multiculturalist reading of White Teeth. For an alternative framework, it posits the multiethnic subject-making to examine in what ways the novel questions the premises of liberal multiculturalism. In this vein, this study suggests that Smith throws some significant light on the underside of holding multiple racial/ethnic identities while not bypassing its utopian possibilities. In case of the first-generation male characters, their crossracial/homosocial friendship becomes a platform for a mode of egalitarian belonging across the racial divide. It further implies a symbolic union between working-class white and nonwhite immigrant. The younger generation, in contrast, undergoes problems of racial, ethnic, cultural affiliations in far more complicated ways than the older one. Above all, White Teeth demonstrates the subtle workings of liberal multiculturalism, within which the younger characters are constructed to be a multiethnic subject in varied modes. It delineates the formation mainly by exploring the persisting legacies of Britain’s imperial history that partake in their subject-making. The novel, in doing so,obliquely suggests that the younger generation is to confront the past that is a seminal part of their present life rather than have the freedom to throw it away to be a carefree member of a multicultural society.

Abstract

This essay is an attempt to critique the notion of hybridity that has so far facilitated a liberal multiculturalist reading of White Teeth. For an alternative framework, it posits the multiethnic subject-making to examine in what ways the novel questions the premises of liberal multiculturalism. In this vein, this study suggests that Smith throws some significant light on the underside of holding multiple racial/ethnic identities while not bypassing its utopian possibilities. In case of the first-generation male characters, their crossracial/homosocial friendship becomes a platform for a mode of egalitarian belonging across the racial divide. It further implies a symbolic union between working-class white and nonwhite immigrant. The younger generation, in contrast, undergoes problems of racial, ethnic, cultural affiliations in far more complicated ways than the older one. Above all, White Teeth demonstrates the subtle workings of liberal multiculturalism, within which the younger characters are constructed to be a multiethnic subject in varied modes. It delineates the formation mainly by exploring the persisting legacies of Britain’s imperial history that partake in their subject-making. The novel, in doing so,obliquely suggests that the younger generation is to confront the past that is a seminal part of their present life rather than have the freedom to throw it away to be a carefree member of a multicultural society.

참고문헌 (19)

  1. Ahmad, Ali Nobil, "Whose Underground? Asian Cool and the Poverty of Hybridity", Third Text, 54, pp.71~84 (2001)
  2. Bentley, Nick, "Re-Writing Englishness: Imagining the Nation in Julian Barnes’ England, England and Zadie Smith’ White Teeth", Textual Practice, 21(3), pp.483~504 (2007)
  3. Bhabha, Homi., "The Manifesto", Wasafiri, 14(29), pp.38~39 (1999)
  4. Brown, Wendy, "Regulating Aversion: Tolerance in the Age of Identity and Empire" (2006), Princeton UP
  5. Dalleo, Raphael, "Colonialization in Reverse: White Teeth as Caribbean Novel, In Zadie Smith: Critical Essays", pp.91~106 (2008), Peter Lang
  6. Dawson, Ashley, "Genetics, Biotechnology, and the Future of ‘Race’in Zadie Smith’ White Teeth, In Mongrel Nation: Diasporic Culture and the Making of Postcolonial Britain", pp.149~173 (2007), U of Michigan P
  7. Head, Dominic, "The Cambridge Introduction to Modern British Fiction, 1950-2000" (2002), Cambridge UP
  8. Jakubiak, Katarzyna, "Simulated Optimism: The International Marketing of White Teeth, In Zadie Smith: Critical Essays", pp.201~218 (2008), Peter Lang
  9. Lowe, Jan, "No More Lonely Londoners", Small Axe, 9, pp.166~180 (2001)
  10. Melamed, Jodi, "The Spirit of Neoliberalism: from Racial Liberalism to Neoliberal Multiculturalism", Social Text, 24(4), pp.1~24 (2006)
  11. Mirze, Kris, "Fundamental Differences in Zadie Smith’ White Teeth, In Zadie Smith: Critical Essays", pp.171~186 (2008), Peter Lang
  12. Moss, Laura, "The Politics of Everyday Hybridity: Zadie Smith’ White Teeth", Wasafiri, 39, pp.11~17 (2003)
  13. Puri, Shalini, "Canonized Hybridities, Resistant Hybridities: Chutney Soca, Carnival, and the Politics of Nationalism, In Caribbean Romances: the Politics of Regional Representation", pp.12~37 (1999), U of Virginia P
  14. Sedgwick, Eve Kosofsky, "Between Men: English Literature and Male Homosocial Desire" (1992), Columbia UP
  15. Smith, Zadie, "White Teeth" (2001), Vintage
  16. Shohat, Ella, "Notes on the Post-Colonial", Social Text, 10(2), pp.99~113 (1992)
  17. Thompson, Molly, "Happy Multicultural Land?: The Implications of an ‘Excess of Belonging’in Zadie Smith’ White Teeth, In Write Black, Write British: From Post Colonial to Black British Literature" (2005), Hansib
  18. Walters, Tracey L, "Still Mammies and Hos: Stereotypical Images of Black Women in Zadie Smith’ Novels, In Zadie Smith: Critical Essays", pp.123~140 (2008), Peter Lang
  19. Zˇizˇek, Slavoj, "Multiculturalism, Or, the Cultural Logic of Multinational Capitalism", New Left Review, 225, pp.28~51 (1997)

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