韓國 禪詩의 歷史的 背景과 美意識

Abstract

In oriental history(東洋史), I see Chinese and Korea have strict relationship in social and political or culture, arts, religion thought and general learning fields. In this study, I will intend to consider the Korea Zen poetry aesthetics of Chinese Zen Buddhism acceptance in context of this history. After establishing of Zen Buddhism in Chinese, there were many individual literatures and were typical Neungagyeong starting such as Geumganggyeong, Banyagyeong, Yumagyeong, Yeolbangyeong, and Daeseunggisinnon and so on, Zen literature(禪文學) had become blooming with together these Cannons. These Zen literatures' the most important field can be chosen as Zen poetry(禪詩). Zen poetry made language letter of Zen practitioner's practice asceticism result, and Zen Buddhism, they said 'Never set up letter' so as 'Bulipmunza (不立文字)'. In this Bulipmunza(不立文字) meaningful intention宗旨 of Zen Buddhism, it is fit for a really difficult assignment to search for Zen language's trace. Therefore, I considered the origin of things(淵源) in order to search Korea Zen Poetry aesthetics of acceptance in Chinese Zen Poetry. I examine the realization of nature in Zen poetry through Buddhist doctrine (法脈) of Chinese Zen Buddhism and I saw Zen Poetry of Confucianist(儒家) hidden gentry(居士) is based on thought of Zen Buddhism from Chinese Dang country poet Buddhist(詩佛) Wangyu(王維)'s acceptance course base. In this base, I post to limit the Zen aesthetics which blooms in Korea Zen Poetry and I consider as to divide into Zen Buddhist's Odomi(悟道美) and hidden gentry's Seonchuimi(禪趣美) and I intend to do position at the new sight of the phase which searches the characteristics of Korea Zen Poetry aesthetics in Zen Buddhist and hidden gentry's Zen Poetry.