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Cold War Nationalizing ‘Comfort Women’through the Universalization of Women’s Oppression in Mary Lynn Bracht’s White Chrysanthemum

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Mary Lynn Bracht’s White Chrysanthemum (2018) links the ‘comfort women’ issue and the Jeju 4.3 Uprising (April 3 Uprising) and transposes them to the comfort woman Hana’s marital life with a Japanese deserter and her sister Emi’s with a South Korean anticommunist police officer, respectively. This transposition universalizes women’s oppression as it renders identical all patriarchal ideologies, from Japanese colonialism to communism, South Korean anticommunism, and U.S. Cold War imperialism, as well as all kinds of oppression of women, whether institutionalized or individual and spontaneous. To critically read the novel’s universalization, I first introduce memories of the U.S. military government’s rehiring of former Korean officers of Japan’s colonial police and members of the Northwest Youth League as the agents of its scorched earth operations during the Uprising. These memories not only shed light on the U.S. Cold War involvement in the continuity between the issue and the Uprising, but also indicate the hegemonic neo/colonial entanglement between South Korea, Japan, and the United States that exceeds the novel’s homogenization of patriarchal ideologies. In addition, I recall memories of the U.S. anticommunist policy called domestic containment to read the novel’s discursive, formal, and thematic metaphorization of the policy through its oppositional representation in Emi’s economic and sexual empowerment in the domestic realm of South Korea and the impossibility of this for Hana in Sovietized Mongolia. By doing so, I conclude that the novel’s universalization ends up as an American Cold War nationalist representation of the issue utilizing a detour through that of the Uprising.

Abstract

Mary Lynn Bracht’s White Chrysanthemum (2018) links the ‘comfort women’ issue and the Jeju 4.3 Uprising (April 3 Uprising) and transposes them to the comfort woman Hana’s marital life with a Japanese deserter and her sister Emi’s with a South Korean anticommunist police officer, respectively. This transposition universalizes women’s oppression as it renders identical all patriarchal ideologies, from Japanese colonialism to communism, South Korean anticommunism, and U.S. Cold War imperialism, as well as all kinds of oppression of women, whether institutionalized or individual and spontaneous. To critically read the novel’s universalization, I first introduce memories of the U.S. military government’s rehiring of former Korean officers of Japan’s colonial police and members of the Northwest Youth League as the agents of its scorched earth operations during the Uprising. These memories not only shed light on the U.S. Cold War involvement in the continuity between the issue and the Uprising, but also indicate the hegemonic neo/colonial entanglement between South Korea, Japan, and the United States that exceeds the novel’s homogenization of patriarchal ideologies. In addition, I recall memories of the U.S. anticommunist policy called domestic containment to read the novel’s discursive, formal, and thematic metaphorization of the policy through its oppositional representation in Emi’s economic and sexual empowerment in the domestic realm of South Korea and the impossibility of this for Hana in Sovietized Mongolia. By doing so, I conclude that the novel’s universalization ends up as an American Cold War nationalist representation of the issue utilizing a detour through that of the Uprising.

참고문헌 (17)

  1. Bracht, Mary Lynn, "White Chrysanthemum" (2018), G. P. Putnam’s Sons
  2. Chang, Jieun, "National Narrative, Traumatic Memory and Testimony: Reading Traces of the Cheju April Third Incident, South Korea, 1948", PhD, pp.2011
  3. Ecology : The Metaethics of Radical Feminism, "Gyn", pp.1990, Daly, Mary
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  5. 권귀숙, "제주4·3의 진상규명과 젠더 연구", 탐라문화, (45), pp.169~198 (2014), 탐라문화연구원[DOI]
  6. American Involvement in the Jeju April 3 Incident: What the US Did on Jeju Island, "Heo, Ho-joon", Jeju 4.3 Research Institute, ~ (2021)
  7. Heyes, Cressida J., "Line Drawings: Defining Women through Feminist Practice" (2000), Cornell UP
  8. Kim, Gwi-ok, "There Were ROK Army’s ‘Comfort Women’: The Cooperation between Colonialism, War, and Patriarchy" (2019), Sunin Publishers
  9. Klein, Christina, "Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema" (2020), U of California P
  10. Laclau, Ernesto, "Emancipation(s)" (1996), Verso
  11. Lee, Chang-rae, "A Gesture Life" (1999), Riverhead Books
  12. 이수영, "Who’s in Asian America? A Critical Examination of the Diasporic Subjectivity of Asian American Writers", 영어영문학, 68(4), pp.797~820 (2022), 한국영어영문학회
  13. Lorde, Audre, "Sister Outsider" (2007), Crossing Press
  14. May, Elaine Tyler, "Bound: American Families in the Cold War Era" (2008), Basic Books
  15. Tai, Eika, "Comfort Women Activism: Critical Voices from the Perpetrator State" (2020), Hong Kong UP
  16. Ueno, Chizuko, "Nationalism and Gender" (2004), Trans Pacific P
  17. Yoneyama, Lisa, "Cold War Ruins: Transpacific Critique of American Justice and Japanese War Crimes" (2016), Duke UP

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