신경림 시의 서사성과 대화주의

Abstract

This paper aims to analyse Shin Gyeong-Rim’s narrative poems through Mikhail Bakhtin’s dialogism theory. His poetic world shows various ancestral sacrifices, sacrificial rites of the town, and a makeshift stage. I investigated concrete aspects of these narrative space to present how it contributed to poetic completion. Shin has been estimated as a representative poet for people in the Korean poetical world during the past time. However, slogans or heavy words are not discovered similar to propaganda of his whole poetic world. In Shin's poetic world, mass spaces as a narrative space and a makeshift stage were established. By presenting these passage sacrifices, Shin aims at the restoration of humanism, and shows a positive view of life. This space has made a wide response through establishing the space familiar with our racial sentiment and people's worship on the realities of life. On the other hand, adopting various people's play as a subject matter, Shin stimulated an playing instinct of human, and inspired infinitive vitality. Shin Gyeong-Rim’s Poem shows that good poems must be rooted on racial sentiment, and they are not separated from people's living. These emotions of People’s narrative space will abolish a preview on people's poet about Shin Gyeong-Rim. Through these discussion, Shin's poetic world is to be reestimated.