漢詩 聲律論과 『詩經』 樂譜의 相關性 硏究 －한국의 논의를 중심으로

Abstract

『The Book of Songs』 in China was the lyrics of music. At the first time, there was no way to write music. Therefore, only 『The Book of Songs』(詩經) has remained until now and there is no music book. According to 『Annals of Zuo』 in 'the Spring and Autumn Period', it says that a person who named KyeCheol(季札) saw the music in JU nation. The music of JU nation is 『The book of Songs』(詩經). The person who has arranged the music of 『The Book of Songs』(詩經) was Confucius(孔子) in the first place. But no one knows how he arranged 『The book of Songs』. The music in 『The Book of Songs』 seems to be disappeared before JIN nation. Primarily, the music in 『The Book of Songs』 was used at Royal Court. Thus, kings of many generations tried to restore it. The first date of using 『The Book of Songs』 was surmised in the Tang Dynasty(唐代) after its restoration. The music on 『Fengya Shiershi Pu』(風雅十二時普) was written by Zhao Yan Su(趙彥肅) in Song Dynasty. JuJa(朱子) wrote down this music in 『Rites The Classic General solution(「儀禮經典通解」). In Korea, this music is published in Shiyuehuesheng(『詩樂和聲』) and Shiyuemiaoxie(『詩樂妙契』) which were written by Seo, MyongEung(徐命膺). He explained in detail about the mutual relation between 『The Book of Songs』 and music in these books. Also, Yun, ChunNyeon(尹春年) and Lee, HyeongSang(李衡祥) were interested in 『Rites The Classic General solution』(「儀禮經典通解」), and they concerned the mutual relation between poet and music. Yun, ChunNyeon(尹春年) explained the way of connection between poet and music. And Lee, HyeongSang(李衡祥) clarified the mutual relation between a music of 『The Book of Songs』 and a tone of the interface(界面調) in Korea. The records of Seo, MyongEung(徐命膺), Yun, ChunNyeon(尹春年), and Lee, HyeongSang(李衡祥) are very important materials to understand the relation between 『The Book of Songs』 and music. This research has classified the mutual relation between 『The Book of Songs』 and music with these materials.