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송욱 시에 나타난 자연과 생명 - 道의 의미와 작용을 중심으로 -

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주제분류한국어와문학

초록

This paper is written under the premises that Song Wuk’s four collections of poetry embody the idea of ‘principle of Tao’ and ‘body of Tao,’ and that their metonymy, which include nature, body, life and universe, are regarded as the focal point of comprehending and solving problems. Song Wuk is a poet who approached the process of writing as a highly intellectual attitude. However, it was this attitude that made him realize the limitations of the intellect, especially that of the Western culture. He then discovered that beyond the realm of intellect exist the fundamental principle that governs the world, which exists in the vital forms of life, nature, body and universe. Based on such discovery, his poems carry certain significance in the history of Korean poetry. First, far from merely being one of many contemporary poets, Song Wuk is one of those who follow the tradition of Korean poets such as Han Yong-Un, Seo Jeong- Ju, Jo Ji-Hun, Kim Gwan-Sik, whose works are based on the Asian idea of Tao. Second, the idea of Tao that he portrays in his works successfully integrates the worlds of Taoism, Buddhism and Yin and Yang, and focuses on the world of leaving nature rather than that of artificiality. This is the point where the idea of Tao embodied in his works diverts from that of Confucianism and Wang Yangming. Third, Song Wuk’s exploration of the nature, body, universe, and life based on the idea of Tao coincides with the extensive discussions about our body and ecology that has taken place in Korea since 1990s. His poems are in effect their precedents that pioneered the movement. By uncovering such characteristics of Song Wuk’s poetry, this paper will contribute to expanding the understanding of his works, which has mostly been confined to acknowledging his use of intellectual satires, ironies and experimental languages. Furthermore, by acknowledging such nature of Song Wuk’s poems, we can comprehend the complexity of his poems, and appreciate and assess them with a better structural understanding.

Abstract

This paper is written under the premises that Song Wuk’s four collections of poetry embody the idea of ‘principle of Tao’ and ‘body of Tao,’ and that their metonymy, which include nature, body, life and universe, are regarded as the focal point of comprehending and solving problems. Song Wuk is a poet who approached the process of writing as a highly intellectual attitude. However, it was this attitude that made him realize the limitations of the intellect, especially that of the Western culture. He then discovered that beyond the realm of intellect exist the fundamental principle that governs the world, which exists in the vital forms of life, nature, body and universe. Based on such discovery, his poems carry certain significance in the history of Korean poetry. First, far from merely being one of many contemporary poets, Song Wuk is one of those who follow the tradition of Korean poets such as Han Yong-Un, Seo Jeong- Ju, Jo Ji-Hun, Kim Gwan-Sik, whose works are based on the Asian idea of Tao. Second, the idea of Tao that he portrays in his works successfully integrates the worlds of Taoism, Buddhism and Yin and Yang, and focuses on the world of leaving nature rather than that of artificiality. This is the point where the idea of Tao embodied in his works diverts from that of Confucianism and Wang Yangming. Third, Song Wuk’s exploration of the nature, body, universe, and life based on the idea of Tao coincides with the extensive discussions about our body and ecology that has taken place in Korea since 1990s. His poems are in effect their precedents that pioneered the movement. By uncovering such characteristics of Song Wuk’s poetry, this paper will contribute to expanding the understanding of his works, which has mostly been confined to acknowledging his use of intellectual satires, ironies and experimental languages. Furthermore, by acknowledging such nature of Song Wuk’s poems, we can comprehend the complexity of his poems, and appreciate and assess them with a better structural understanding.

참고문헌 (22)

  1. 송욱, "誘惑" (1954), 사상계사
  2. 송욱, "何如之鄕" (1961), 일조각
  3. 송욱, "月精歌" (1971), 일조각
  4. 송욱, "나무는 즐겁다" (1978), 민음사
  5. 송욱, "詩神의 住所" (1981), 일조각
  6. 김성구, "현대물리학으로 풀어본 반야심경" (2006), 불광출판부
  7. 김유중, "부활에의 꿈", 현대문학, (7월), pp.362~380 (1991)
  8. 김학동, "송욱 연구" (2000), 역락
  9. 김홍경, "동양의학혁명 -총론" (1989), 신농백초
  10. 박종석, "송욱평전" (2000), 좋은날
  11. 박종석, "송욱의 실험시와 주체적 시학" (2008), 한국학술정보
  12. 서광, "현대심리학으로 풀어본 唯識 30송" (2007), 불광출판사
  13. 송욱, "님의 沈黙 - 全篇해설" (1990), 일조각
  14. 송욱, "文物의 打作" (1978), 문학과지성사
  15. 오까다 가즈요시, "반야심경과 생명의학" (1993), 고려원
  16. 이승하, "송욱" (2001), 새미
  17. 정세근, "노장철학" (2002), 철학과현실사
  18. 정효구, "한국현대시와 자연탐구" (1999), 새미
  19. 조영복, "송욱 연작시의 성격과 ‘말’의 탐구", 한국시학연구, (1), pp.300~320 (1998)
  20. 진순애, "송욱 시의 은유 연구", 석사, pp.1993
  21. 한규성, "易學原理講話" (1986), 동방문화
  22. 한동석, "우주변화의 원리" (2005), 대원출판

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