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자막의 번역특징과 유표적 대사의 번역전략: 영화 <위험한 상견례>를 중심으로

Translating Subtitles of Marked Speech in Films Focusing on the Movie ‘Meet the In-laws’

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참고문헌

키워드

주제분류언어학

초록

This study sees there are three characteristics when translating film dialogues into another language, simplification, standardization, and neutralization. These characteristics are inevitable due to the time and space constraints in audio-visual translation-subtitling. The problem is today’s language runs in opposite direction. People increasingly use marked expressions. Films, which reflect real life of people, absorb these marked speeches. This study categorized the marked speech into three, dialects, emotionally charged words, and culture-bound words. This paper suggests the strategies to deliver markedness of these types of words into more functionally equivalent words, analyzing Korean and English subtitles of a movie, ‘Meet the In-laws’(2011), whose dialogues feature marked speech. Based on this movie, Dialects of ST were translated using specific vocabularies, non-grammatical expression, or marked spelling. Emotionally charged words showed a tendency to be omitted or weakened. This study suggests translation strategies for culture-bound words, such as loan, calque, explicitation, transposition, omission, and lexical recreation. This study emphasizes the importance of translation as the bridge of cultures and countries especially in the field of subtitling

Abstract

This study sees there are three characteristics when translating film dialogues into another language, simplification, standardization, and neutralization. These characteristics are inevitable due to the time and space constraints in audio-visual translation-subtitling. The problem is today’s language runs in opposite direction. People increasingly use marked expressions. Films, which reflect real life of people, absorb these marked speeches. This study categorized the marked speech into three, dialects, emotionally charged words, and culture-bound words. This paper suggests the strategies to deliver markedness of these types of words into more functionally equivalent words, analyzing Korean and English subtitles of a movie, ‘Meet the In-laws’(2011), whose dialogues feature marked speech. Based on this movie, Dialects of ST were translated using specific vocabularies, non-grammatical expression, or marked spelling. Emotionally charged words showed a tendency to be omitted or weakened. This study suggests translation strategies for culture-bound words, such as loan, calque, explicitation, transposition, omission, and lexical recreation. This study emphasizes the importance of translation as the bridge of cultures and countries especially in the field of subtitling

참고문헌 (13)

  1. 김도훈, "어린이 그림책 번역에 있어서의 수용자 반응의 중요성 괴물들이 사는 나라를 중심으로", 언어과학, 12(3) (2005), 한국언어과학회
  2. 박윤철, "시각 요소에 의한 정중성 보존 연구 —영화 자막 번역 중심으로—", 번역학연구, 9(1), pp.145~166 (2008), 한국번역학회
  3. 장민호, "번역과 자막" (2008), 한국문화사
  4. 장민호, "영화장르별 자막번역의 양적 변화 연구", 박사, 통역번역학, pp.2008
  5. M. 졸리, "영상이미지 읽기" (1999), 문예출판사
  6. Baker, M., "In Other Words: A Course Book on the Translation" (1992), Routledge
  7. Díaz-Cintas, J., "Audiovisual Translation: Subtitling" (2007), St. Jerome P
  8. Gottlieb, H., "Subtitling: Diagonal Translation", Perspectives - Studies in Translatology, 2(1), pp.101~121 (1994)
  9. Hatim, B., "The Translator as Communicator" (1997), Routledge
  10. Ivarsson, J., "Subtitling" (1998), TransEdit
  11. Munday, J., "Introducing Translation Studies" (2008), Routledge
  12. Murphy, B., "‘She’s a Fucking Ticket’: the Pragmatics of FUCK in Irish English - an Age and Gender Perspective", Corpora, 4(1), pp.85~106 (2009)
  13. Nedergaard-Larsen, B., "Culture-bound Problems in Subtitling", Perspective: Studies in Translatology, 1(2), pp.207~241 (1993)

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