當代批評으로 본 ＂안민가＂

Abstract

The purpose of this article is to study on Anminga from the viewpoint of the criticism in the Tang age, especially, from the viewpoint of the express kiuisimko(其意甚高) in Samkukyusa. The result follow as; The meaning of the express ui(意) in the express kiuisimko is the ui(意) of the thought or the reason in Wang Chang Ryeong’s poetics, or the ipeon(立言) of the thought or the moral in Gyo Yeon’s poetics. And the elements which make the ui(意) as very high(甚高) are the reason possessing its emotive meaning(理得其趣), the eventfulness(多端), the different meaning(別意), the spiral and checkered(回旋起伏) structure, the gradual rising structure(漸高), the harmonious stone steps(合砌), and the implicative meaning(含蓄意) in Wang Chang Ryeong’s poetics. And the elements which make the ipeon as very high(甚高) are the creative meaning(創意), the very wide(極廣) or wide-large(廣大) meaning, and the implicative meaning in Gyo Yeon’s poetics. These elements discovered in the two poetics are found in Anminga. So we concluded as; the express kiuisimko(其意甚高) is applicable to Anminga. And the implicative meaning(含蓄意) in Anminga include the excessive meaning(餘意) and excessive taste(餘味). And the express and the content in Anminga are simple and natural(質而自然). So we also concluded as; Anminga is a everlasting masterpiece from the viewpoint of the criticism in the Tang age, and from the viewpoint of the kiuisimko.