임화의 서정주 시 비평의 논리와 근거 － 임화의 비평에 나타난 시차(視差, parallax) 2 －

Abstract

This paper begins with the reflections self-examination about existing studies that put in order Imhwa´s criticism and literature on the foundation of materialistic reason and socialistic realism. Imhwa´s criticism includes large and small parallax etc, and Imhwa explicitly utilizes parallax as a concept tool for ‘divine surplus' and ‘creative criticism'. This can be said to result from recognition and approval as, actually and politically, one of ‘reflective regulations' against materialistic dialectics and socialistic realism, and, literarily, of various differences existing in the reality as productive power of literary works. Imhwa, stressing breaks/gaps the reality itself created, that is, dynamic motility of ‘surplus', defines this as the foundation for inherent and creative criticism. Imhwa´s poems criticism play a surplus role Imhwa´s total criticism and Imhwa discovers ‘divine surplus', the new method of life of modern times and new sphere of modern poems, from Seo Jeong-ju´s poems that escaped from the sphere of materialistic reason and realism criticism. This, as ‘a scamper in a prison' named modern times which do not discern an action of secession and return, is connected with irony of modernity. One is irony that dissolves and simultaneously materializes maintaining a dual attitude of life of secession and return, and the other is irony that modern poems and art are create and simultaneously suppressed through fatal parallax with modern world/order.