Why Shakespeare in Asia?
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Our Asian heritage boasts multiple traditions of literature that proponents would claim far surpasses Shakespeare’s works in value and significance. How do those of us who profess Shakespeare in Asian locations justify our commitment to Shakespeare on the curriculum and in the classroom? What claims to significance do we as Shakespeareans make on behalf of this global cultural icon from the West? Is our advocacy based on professional expediency or profound exegesis and rationalization? At this moment of deep economic crisis in the West, it is apposite to consider the questions I am posing in our own sphere of the educational domain here in the East.
Abstract
Our Asian heritage boasts multiple traditions of literature that proponents would claim far surpasses Shakespeare’s works in value and significance. How do those of us who profess Shakespeare in Asian locations justify our commitment to Shakespeare on the curriculum and in the classroom? What claims to significance do we as Shakespeareans make on behalf of this global cultural icon from the West? Is our advocacy based on professional expediency or profound exegesis and rationalization? At this moment of deep economic crisis in the West, it is apposite to consider the questions I am posing in our own sphere of the educational domain here in the East.
참고문헌 (11)
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- Casanova, Pascale, "The World Republic of Letters" (2004), Harvard UP
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- Keane, John, "The Life and Death of Democracy" (2009), Simon and Schuster
- Said, Edward, "Orientalism" (1979), Vintage Books
- Sen, A. K, "The Argumentative Indian" (2005), Penguin
- Stiglitz, Joseph E, "Globalization And Its Discontents" (2002), Norton
- Mishra, Pankaj, "Guardian 9 July", ~ (2005)
- Khilnani, Sunil, "The Hindu 15 July", ~ (2005)
