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겨울이야기: 발라드 장수 오톨리커스의 직업

Balladmonger Autolycus’s Jobs

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초록

The Winter’s Tale is a play in which tragedy and comedy are combined. In this play, Autolycus connects these two genres and elevates the merry atmosphere of comedy. He can be considered as one of many other comic characters in Shakespeare’s plays, but he has much more realistic characteristics with his various jobs which reflect the social atmosphere of England at the time. The most important role of Autolycus is a balladmonger and ballad singer at the sheep-shearing festival. As this play has many allusions on ballad which was very popular in 16th century England, the ballad which Autolycus sells and sings shows us many characteristics of the ballad at the time. This play also shows us the general reaction and attitude of the English people toward ballad and balladmongers. Autolycus’s jobs such as a balladmonger, ballad singer, and tinker, however, are fundamentally related to another bigger class group of rogues because Autolycus uses these jobs to cover his roguery. Rogues, vagabonds, masterless men like Autolycus caused serious social problem during the Elizabethan era, and the rogue literature which depicted their lives and characteristics was popular among English people. Accordingly, Autolycus’s wrong doing as a poor man on the street and a balladmonger at the festival in the play is found in Robert Green’s Cony-catching pamphlets. Besides Autolycus’s present jobs in the play, his previous jobs mentioned by himself is a very important element in considering the realistic aspect of his character and the play. He was once a courtier serving Prince Florizel but he was whipped out of the court and had several jobs mostly of the people of the lower class. In the play, Autolycus’s previous jobs such as ape-bearer, bailiff are as important as his present status in understanding his character because he reflects the lower class English men at the time. His various jobs show us not only his grim past but the hard lives of low class English men in that era. Shakespeare was excellent in depicting low-status English men and their lives, and Autolycus was one of them. The most realistic thing about Autolycus is that he is a comic character who has fear of living as a rogue. This psychological aspect of him results from his various jobs which can be seen as his personal history, and this makes the depth of his character. Thus, Autolycus can be said one of the most realistic characters created by Shakespeare’s keen observation and deep understanding of his time and people.

Abstract

The Winter’s Tale is a play in which tragedy and comedy are combined. In this play, Autolycus connects these two genres and elevates the merry atmosphere of comedy. He can be considered as one of many other comic characters in Shakespeare’s plays, but he has much more realistic characteristics with his various jobs which reflect the social atmosphere of England at the time. The most important role of Autolycus is a balladmonger and ballad singer at the sheep-shearing festival. As this play has many allusions on ballad which was very popular in 16th century England, the ballad which Autolycus sells and sings shows us many characteristics of the ballad at the time. This play also shows us the general reaction and attitude of the English people toward ballad and balladmongers. Autolycus’s jobs such as a balladmonger, ballad singer, and tinker, however, are fundamentally related to another bigger class group of rogues because Autolycus uses these jobs to cover his roguery. Rogues, vagabonds, masterless men like Autolycus caused serious social problem during the Elizabethan era, and the rogue literature which depicted their lives and characteristics was popular among English people. Accordingly, Autolycus’s wrong doing as a poor man on the street and a balladmonger at the festival in the play is found in Robert Green’s Cony-catching pamphlets. Besides Autolycus’s present jobs in the play, his previous jobs mentioned by himself is a very important element in considering the realistic aspect of his character and the play. He was once a courtier serving Prince Florizel but he was whipped out of the court and had several jobs mostly of the people of the lower class. In the play, Autolycus’s previous jobs such as ape-bearer, bailiff are as important as his present status in understanding his character because he reflects the lower class English men at the time. His various jobs show us not only his grim past but the hard lives of low class English men in that era. Shakespeare was excellent in depicting low-status English men and their lives, and Autolycus was one of them. The most realistic thing about Autolycus is that he is a comic character who has fear of living as a rogue. This psychological aspect of him results from his various jobs which can be seen as his personal history, and this makes the depth of his character. Thus, Autolycus can be said one of the most realistic characters created by Shakespeare’s keen observation and deep understanding of his time and people.

참고문헌 (24)

  1. 조영학, "셰익스피어극의 현대성과 르네상스 발라드", Shakespeare Review, 46(4), pp.805~841 (2010), 한국셰익스피어학회[DOI]
  2. Aydelotte, Frank, "Elizabethan Rogues and Vagabonds" (1913), Clarendon
  3. Bloom, Herold, "Shakespeare The Invention of the Human" (1998), Riverhead Books
  4. Chandler, Frank Wadleigh, "The Literature of Roguery, Vol. 1" (1907), Mifflin & C
  5. Clarke, Charles Cowden, "Shakespeare-Characters; Chiefly Those Subordinate" (1863), Elder & Co
  6. Davis, Michael, "The England of William Shakespeare" (1987), E. P. Dutton
  7. Firth, Charles Harding, "Shakespeare’s England, An Account of the Life and Manners of His Age, Vol. II", pp.511~538 (1916), Clarendon
  8. Frye, Northrop, "Northrop Frye on Shakespeare" (1986), Yale UP
  9. Garber, Marjorie, "Shakespeare after all" (2004), Anchor Books
  10. Greene, Robert, "The Elizabethan Underworld", pp.149~178 (1965), Octagon Books
  11. Miola, Robert, "Shakespeare’s Reading" (2000), Oxford UP
  12. Naylor, Edward Woodall, "Shakespeare and Music" (1896), J. M. Dent & Co., Aldine House, E, C
  13. Noble, Richmond, "Shakespeare’s Use of Song" (1923), Oxford UP
  14. Onions, C, "A Shakespeare Glossary" (1977), Clarendon
  15. Pafford, J. H. P., "Music, and the Songs in The Winter’s Tale", Shakespeare Quarterly, 10(2), pp.161~175 (1959)
  16. Quiller-Couch, Arthur, "Shakespeare’s Later Workmanship “The Winter’s Tale”", The North American Review, 203(726), pp.749~760 (1916)
  17. Rollins, Hyder E., "The Black-Letter Broadside Ballad", PMLA, 34(2), pp.258~339 (1919)
  18. Salingar, Leo, "Shakespeare and the Traditions of Comedy" (1976), Cambridge UP
  19. Schlegel, August Wilhelm, "Course of Lectures on Dramatic Art and Literature" (1965), AMS
  20. Seawell, Helen, "Shakespeare and the Ballad", Midwest Folklore, 12(4), pp.217~234 (1962)
  21. Shakespeare, William, "The Arden Shakespeare" (2000), Methuen
  22. "The Low-Status Characters in Shakespeare’s Comedies" (1973)[URL]
  23. Whibley, Charles, "Shakespeare’s England, An Account of the Life and Manners of His Age, Vol. II", pp.484~510 (1916), Clarendon

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