셰익스피어와 스펜서: 『비너스와 아도니스』
Shakespeare and Spencer: Venus and Adonis
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Although William Shakespeare is a great dramatist, it seems that he was eager to earn the reputations rather as a great poet. While he never cared to publish his own dramatic works, he carefully read and edited the manuscripts of his poetry to publish. In that respect, Venus and Adonis, published in 1593, is a significant work, for it is the first publication of Shakespeare. Shakespeare respected Edmund Spenser and his poetic achievements, which were well established in England after the publication of The Shepherdes Calendar and The Faerie Queene. At the same time, however, Shakespeare considered the elder poet as his competitor and tried to present himself as a better poet than or at least equal to Spenser. Venus and Adonis significantly manifests Spenser’s influences in the thematic allusions and in the portrayal of the goddess and the boy. This paper examines the text of Venus and Adonis in order to see where and how Shakespeare borrowed materials from Spenser, so as to understand the relationships between the two poets. Shakespeare’s manifestation of Venus may prove that he skillfully utilizes Spenser’s imagery and allusions in his work, but at the same time it reveals the poetic achievements of Shakespeare as an innovator and creator.
Abstract
Although William Shakespeare is a great dramatist, it seems that he was eager to earn the reputations rather as a great poet. While he never cared to publish his own dramatic works, he carefully read and edited the manuscripts of his poetry to publish. In that respect, Venus and Adonis, published in 1593, is a significant work, for it is the first publication of Shakespeare. Shakespeare respected Edmund Spenser and his poetic achievements, which were well established in England after the publication of The Shepherdes Calendar and The Faerie Queene. At the same time, however, Shakespeare considered the elder poet as his competitor and tried to present himself as a better poet than or at least equal to Spenser. Venus and Adonis significantly manifests Spenser’s influences in the thematic allusions and in the portrayal of the goddess and the boy. This paper examines the text of Venus and Adonis in order to see where and how Shakespeare borrowed materials from Spenser, so as to understand the relationships between the two poets. Shakespeare’s manifestation of Venus may prove that he skillfully utilizes Spenser’s imagery and allusions in his work, but at the same time it reveals the poetic achievements of Shakespeare as an innovator and creator.
참고문헌 (16)
- Anderson, Judith H, "Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton" (2008), Fordham UP
- Bednarz, James P, "Imitations of Spenser in A Midsummer Night’s Dream", Renaissance Drama, 14, pp.79~102 (1983)
- Bevington, David, "The Complete Works of Shakespeare", pp.1528~1529 (1980), Scott, Roresman
- Cheney, Patrick, "Shakespeare’s Sonnet 106, Spenser’s National Epic, and Counter-Petrarchism", English Literary Renaissance, 31(3), pp.331~364 (2001)
- Fraunce, Abraham, "The third part of the Countesse of Pembrokes Yuychurche, entitled Amintas Dale" (1975), California State UP
- Greenfield, Sayre N, "Allegorical Impulses and Critical Ends: Shakespeare’s and Spenser’s Venus and Adonis", A Quarterly for Literature and the Arts, 36(4), pp.475~498 (1994)
- Hamilton, A. C, "Venus and Adonis", Studies in English Literature 1500-1900, 1(1), pp.1~16 (1961)
- Hamilton, A. C, "The Faerie Queene" (1977), Longman
- Harrison, Thomas P. Jr, "Aspects of Primitivism in Shakespeare and Spenser", Studies in English, 20, pp.39~71 (1940)
- Judson, Alexander C., "The Life of Edmund Spenser" (1945), Johns Hopkins UP
- "Ovid’s Metamorphoses"[URL]
- Krier, Theresa M., "Generations of blazons: Psychoanalysis and the Song of Songs in the Amoretti", Studies in Literature and Language, 40(3), pp.293~328 (1998)
- Paglia, Camille Anna, "Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson" (1990), Yale UP
- Pearson, Lu Emily, "Elizabethan Love Conventions" (1966), Barnes and Noble
- Stephens, Dorothy, "The Faerie Queene, Books Three and Four" (2006), Hackett
- Stirling, Brents, "The Philosophy of Spenser’s ‘Garden of Adonis’", PMLA, 49(2), pp.501~538 (1934)
